"DERVISH
by Yari" "DERVISH
by Yari"“CLAY, LIFE, and PEOPLE”
We as people share the same planet “EARTH”, and enjoy the beauty and immensity of its sky and its nature. We all look at the same sky at night, and are fascinated by the beauty of its stars and the moon. During the day, we all look at the same “SUN”, and benefit from its rays. Nature has its own beauty; all over the world, people enjoy the aroma of various flowers, trees, and the wonderful crops that it produces. Poets, writers, and musicians all around the world have written and write about the beauty of it, literally, poetically, metaphorically, and spiritually.
Children and grown-ups alike are fascinated by rocks, all over the world. Perhaps this fascination is an indication that we as people are connected not only physically but also spiritually. It is the very essence of life which is embedded in earth/clay.
Clay and people share certain physical properties such as:
Elements
Clay
People
Water/H20
Calcium
Magnesium
Potassium
Sodium
Zinc
Iron
Copper
The scriptures and other literature of the world are filled with metaphorical references to Clay.
“We live on earth yet so ignorant
of earth and all the treasures it holds”
-Rumi (the mystic Persian poet)
The spiritual connection takes place when one experiences the earth and CLAY. It teaches a person to appreciate LIFE more fully, and respect the environment. This respect leads to respect for self and ultimately for other’s. It bears true self-esteem, and enables the individual to create a more harmonious and unified world.
When one works with clay, s/he learns a lot about LIFE.
S/he learns quickly that s/he has to develop a mutual, respectful, and
loving relationship with IT. It is like a true friendship, it takes lots
of effort to get it to grow to a lasting and cherishable relationship/friendship.
Person to Person
CLAY
LIFE
Respect
Love
Friendship
Sincerity
Sensitivity
Harmony
Leaving room for growth
Aging
One learns that s/he has some control over CLAY/LIFE, but not total control. Other elements play big roles in the outcome as well. There is a sense of MYSTERY about IT; A DIVINE ORDER.
The more you work with the CLAY, the more it teaches you. It teaches you the same principles and philosophies that LIFE teaches you. By the time you may think you have IT all figured out, when your self-esteem and confidence appears to be it its highest, it shows you differently. It teaches you yet another LESSON. It teaches you humility. LIFE, and living with clay as you work with it, are both full of humbling experiences for the individual.
CLAY teaches you self-respect, but more so it teaches you the importance of showing forth respect for the other side’s properties. You have to live and work with CLAY in the spirit of love, harmony, sincerity, and integrity, in order to succeed. It is a two-way relationship. In order for the relationship to flow, you have to become sensitive to the clay and understand its responses in order to respond appropriately and accordingly. Just like LIFE, CLAY is UNPREDICTABLE. It likes to be touched, held and cuddled; firmly yet gently. CLAY like LIFE is not a push-over.
As the mystic Persian poet Rumi wrote:
“Earth, Water, Air, and Fire are
obedient creatures, they are dead to you
and me, but alive at God’s presence”
Many factors and elements such as clay, water, air, fire have some impact on the finished work of a clay artist.
Clay’s unpredictability is like LIFE itself. At times working with CLAY becomes so confusing and tough that one feels like leaving it all together; but one cannot forget that it is this very essence of unpredictability that is responsible for its excitement. This excitement is intriguing and fascinating, and encourages one to stay with it, the same is true with LIFE.
For some, it (clay/life) is a LOVE/HATE relationship, but for me it is exciting enough to continue with it until the end! If life holds so many surprises, so does CLAY.
Another aspect in the whole thing is AGE. With age comes MATURITY, and with maturity comes COMPLEXITY. As the CLAY ages it becomes more understanding and workable; so does a PERSON.
“Seek not water, seek thirst,’
till you overflow as a fountain of quest”
-Rumi (the mystic Persian poet)
“Like clay you’re shaped by the potter’s skill,
Your jug with wine you better try to fill.”
-Hafez (the mystic Persian poet)
Bahereh Khodadoost
May 1997 PA
Copyright 1997
_________________________________________
People, especially children, are fascinated by BALLS all over the world. Perhaps this is an indication of our connection to the earth, and the whole universe. It is an indication of our physical, psychological, and spiritual connection to the world, and to our planet Earth. This is not just a passive interest, but something more innate. The globe, the circle, is a representation of timelessness, and eternity, and it has a very intimate quality.
In my opinion, the National Anthems and Pledge of Allegiances are not to build egoistic patriotic attitudes, rather they are about one’s love for his/her country and for what that land stands for. This is what should be just as true for the whole world. It is about goodness and virtues, that are universal, and once one grasps the inner meaning of them, s/he becomes proud of taking part in bringing some harmony, peace and relief to the world at large.
“The earth is but one country and mankind its citizens.”
-From the Baha’i Writings
Children and grown-ups alike are also fascinated by rocks, everywhere. Perhaps this is a proof that we as people are connected not only physically but also spiritually. It is the very essence of life which is embedded in earth/clay. There exist many physical, and eternal similarities between rocks and people. The earth in general has many layers as it is in people’s skin. The crops produced by this earth has similar characteristics as well. Fruits and vegetables such as oranges, watermelons, pumpkin, cucumbers, and artichokes are just a few examples for this analogy. Let us not forget that every one of these examples have heart and seed, as we do as people. The heart of the whole creation is nothing but LOVE. When one studies the three major categories of rocks, one cannot help but think of their similarities in comparison with people. These three categories are as follows:
- Sedimentary Rocks: Some of these rocks contain clay. They have been moved from their bed, have traveled through many passages until they have reached their destinations. The longer their journey, and the older they are, the better they have become; just like Wise, Mature, Old People in any given community, who form the thoughts of the society, like the hands of the potter who is responsible for shaping this rich, moist, aged, sedimentary clay.
- Metamorphic Rocks: These rocks have been cooled, reheated, and cooled again. Some have even been crushed. Such rocks remind one,of people with such qualities, the kind who survive against all the hardships in life
- Igneous Rocks: These rocks are the product of much turbulence, and suggest endurance. They are rough and at times extremely refined and clear. They are as if they were baptized by the fire, like certain kind of people that the more rocky, and fiery the path might become, the more polished they would become. The ones who were baptized by the fire and gained strength. The ones who have experienced long, enriched lives, and gained deeper understanding of it all. They are fiery and energetic, mature but not mellow.
Every time one looks at a rock, s/he can draw a comparison between that particular rock and humans. We as people individually and collectively have as many dimensions as rocks do. Here are only a few examples:
- Sandstone, slate, and shale are the personification of people who have many layers, and each layer contains a vast knowledge of the whole universe.
- Diamonds are considered the hardest things on earth. They are so hard they can only be cut by another diamond. We as people can learn to become like diamonds. To become strong yet refined, polished, and so crystal clear that light can shine through us. This is what one should strive for, to have a character like a Diamond.
- Geodes are wonderful since they show the extremes combined. When one studies these wonderful phenomena, s/he feels in awe. Upon reflecting on the two visual and tactile qualities of geodes, one may realize that people are not one dimensional as well, and perhaps we should learn to admire different qualities in ourselves and also in other people. We need to think twice before judging another person. If a person looks dull, rough, and not too exciting when you look at them, don’t judge them too quickly. Give yourself enough time to get to know them. By doing so, you may surprise yourself to find that perhaps they are more colorful than you may have originally thought, perhaps there is a jewel inside of them. A jewel that can make a difference in your life, if you let it shed some light in your life. Think of a Kiwi fruit, how different its inside and its outside are from each other, such a contrast that if one has not seen the inside yet, they may not consider opening it! I was once one of these people, I have had Kiwi fruit at restaurants, but I did not know how it looked on the outside! When finally I found out that the same tasty, delicious, delicate, gorgeous looking fruit is the one with rough, dull outer skin, I was very surprised, and dumb founded. It was then that I admitted to my ignorance and I became the regular buyer of this wonderful fruit in the market. It was kind of a reverse prejudice that needed to be reversed twice!!! But I am glad that finally I learned my lesson! Now I enjoy touching the skin (the outer part of the fruit), and enjoy looking, and eating this beautiful tasty fruit.
- Lava rocks are wonderful, they have a rough texture, yet they are very interesting to the eyes and to the touch. They are like those kind of people who come across rough, but once one gets to know them, s/he can appreciates their interesting qualities. They are also like sponges, they absorb more!
- I love the magnetic rocks! One should remind himself/herself that if a rock can have magnetic qualities, so should we as people. Every one of us can think of a person with a magnetic personality. These types of people never get boring, they stay interesting and charming, and attract people in a fascinating way.
- I have been amazed by the hard looking rocks with bending qualities. One should ponder upon this unique quality, that in life, one can bend at times, but s/he does not have to break! This is the sign of true strength. One can stay as strong as ever! Most of us have known people with such a wonderful quality. The type of people who have learned to make compromises in life, and be considerate of others’ feelings, but not to the extent of compromising their basic values, and their basic belief. These types of people are the ones who are strong like bamboo, they may bend every direction, but do not break. These are the true Peace Makers in life. The world needs them very much.
Physical roughness is not necessarily a bad thing. It depends where it had come from and how one puts it to use. How often have you seen an artist, a painter, a sculpture, ... using an aged, hard working, ordinary model as opposed to a young, beautiful, soft skin one? This perhaps is because these artists have enabled themselves to see a different kind of beauty in an aged, ... model. This outer roughness may be a sign of physical endurance, hardship, which in return, refines the soul and spirit of a person. A person with great insight can see this in an antique carpet, in an aged wood, and in anything old that has endured changes in life, and has managed to survive. This is something that can adorn a person or an object with an inner beauty that only can be experienced and seen with inner eyes. This is true when it comes to an aged clay, the older it gets, the richer it becomes, and the more it has to offer. This claim is just as true with people.
Have you heard the expression: “Don’t judge a book by its cover.” One can extend this remark to everything else in life. Perhaps one should not judge a rock by its appearance, or judge a fruit by its appearance, and more so, do not judge a person by his/her appearance. The properties of a book, of a rock, of a fruit, of a person can not be understood easily. It requires patient, understanding, sensitivity, and handling with care. One should take the time to become acquainted with the object, or a person.
Being stubborn is not
necessarily a negative thing. It is how one uses it that gives it a bad
or good meaning. I, for instance have been labeled as being stubborn many,
many times. I am the first one to admit that this reputation has some elements
of truth in it, but it is the very essence of this stubbornness that has
helped me to search for answers for many questions in life, until I have
found my very own answers.
This list can go on and on and on, but suffice to say that our pursuit in life can not be limited. It should become like an empty river bed that is waiting to be filled by what gives meaning to life.
There is no distinction between all the disciplines in life. Once the artificial boundaries are broken, life would become more enjoyable. When one gains more understanding, one will enjoy life more fully, and will become more loving, caring, and compassionate.
Bahereh
Oct. 1997 PA.
Copyright 1997
_________________________________________
CLAY has a timeless quality. Working with CLAY spiritualizes that quality within a person, and as a result of this experience, the finished product becomes the messenger of an eternal message, SACRED as time immemorial. Once this process takes place, and this wonderful quality translates itself in the work, it gives SOUL to the finished work, yet every one of these clay pieces seems to possess its own SOUL. This can be experienced in many different ways; although I have experienced it more fully in the MAKING of the coil-pots.
This is an experience hard to describe, one must experience it for himself/herself in order to fully understand it.
I made my first coil-pot in 1985. I experienced something extremely timeless and eternal. It took me back to the time of antiquity, to the ancient worlds. It took me and still takes me back to the living basements of Persia, to be more precise to my dear grandparents’ home, to their basement and their storage room where they kept their grains and other supplies. It brought back many memories from the past, even the fresh, wonderful smell of the Earth imbedded in the walls and the floors of those basements, storage rooms, and under-ground water sources (springs) where people used to fill up their water jugs. From the time I made my first coil-pot, I had the utmost desire to share this atmosphere of tranquillity, and serenity with other people (The closest thing to it, is what one experiences inside a cave). I wanted desperately to bring this feeling which I experience inside my pots, particularly inside my coil-pots OUT.
My dream in the Fall of 1988, was a fulfillment of this desire. I dreamt that I had a coil-pot in the kiln. When it came out of the kiln, I was quite pleased with the look of it, and the surface treatment, and above all I noticed an opening in the belly of the pot, resembling the opening (the entrance) of a cave. It looked quite appropriate, and it was wonderful that one could see and perhaps experience the inside of the pot. Later, I thought quite often of making a coil-pot similar to the one I had in my dream, but the right time did not come until early this year (1997). My first coil-pot with such an opening is called: Hallelujah, the one that followed Hallelujah is called: ORENDA, The Life Force, and the one after that was named “LOVERS NOTE”. Every one of them has an opening in the belly part appropriate to their shape, and their personality. My favorite is ORENDA, since it appears to possess the most soul, so far. LOVERS NOTE with small blue light inside expresses the inner meaning of this poem by Hafez, Persian mystic poet:
“ A lovely tune played the musician of love,
The tunes played, came from Heaven above.”
HALLELUJAH is adorned with both light and sound inside. “ORENDA, the Life Force” is following the same path, only the sound being played inside of her, is a wonderful tune composed and played on the keyboard by my dear daughter Sienna Mae. She was the one who came up with the name ORENDA which means the Life Force in Native American tongue, and shortly after that, she composed and played her tune for it. She called it: My Fantasy Land!
Finally, I feel like that this desire of sharing and inviting others to experience what I experience while making a coil-pot, is achieved, if not completely, but at least partially.
Here I am sharing my latest day dream with the reader(s)
of this article. This dream is only two weeks old. Two Sundays ago, I was
sitting in my living room staring at a few of my coil-pots. Suddenly,
it came to my mind that I would like to make a much larger version of my
coil-pots. This way my pots can have an idea of their bigger picture! I
shared my thought with my husband who speaks my artistic language as well.
The time had come for me to make a bigger version of ORENDA, at least large
enough to invite a person to go inside my abode. I am or better to say
we are quite exited over the prospect of making this dream a reality.
Sept 19, 1997
PA.
* My husband just came home and shared this idea with
me. He said that when my first abode is built, and the first firing is
taking place, it is like a mother giving birth to a baby or to multiple
babies. Only in this case the babies are going to be the small pots, being
fired and coming out of the belly of the Big Pot, being used as a kiln.
I said to him, what a wonderful idea! this way my pots, one by one can
have a chance to meet their mother. Only this is the first time in
the known history that a baby was born before the mother!
P.S. I hear from many people and even most Clay Artists, that the Raku experience is such a wonderful experience since it is quick and gives one instant gratification.
For me it is and has always been very different. I experience something SACRED, extremely timeless and lasting in the whole process, and that is what attracted me to “Raku Firing” in the first place and from the very beginning.
Written by Bahereh on July 10,1997
copyright 1997
_________________________________________
‘MANIFESTO/NUMBERS, LETTERS, AND WORDS DERIVATIVES”
Bahereh Khodadoost-Heath
ART HISTORY AND APPRECIATION
April 22, 1992
MANIFESTO
There is a cycle in the universe, a sense of harmony in nature, and different beings, under various circumstances, respond accordingly to their environment. Everything in the universe is interconnected and interrelated, like a woven carpet. Science has proven that there is even a kind of order in chaos. A major part of my conviction in life is to work towards this harmony, to reflect this wonderful relationship between different things in life, whether tangible or intangible, abstract or realistic. Of course, this observation only reinforces my belief in the unification of humankind. My goal is to identify as many relationships as possible, based on this ideology, and hopefully convey this realization to others as well. My hope is that by sharing my experiences with others, it may make life more enjoyable and meaningful for them as it has become for me.
Recently, I have become more and more involved in creating various designs. These designs, along with my interest in teaching my daughter about Persian language and culture (which is part of her heritage), have led me to a new avenue of exploration. Once I realized that each letter or number is a form on its own, I started seeing form and form relationships in almost anything visible to my eyes or to my mind. This, for me, was a new way of looking at letters, words, and numbers. Things started taking off into new dimensions, and the most complex compositions started forming in my mind’s eye. After all, the MIND is a wonderful phenomenon, and it is up to us to put it in use. Once one gets this task underway, it can surprise us all, individually and collectively as well.
Using letters and numbers in a composition, one can come up with the most complex designs. I, personally find it fascinating to create complex designs by the mere use of such simple elements as numbers or letters. Of course, this idea can be expanded to a variety of subjects. Therefore, one can experience first hand the relationships that exist in life. If one contemplates and ponders on this very simple idea, he or she may see for themselves that in the world everything relates to each other. This is true with humanity as well, which reminds me of a statement in the Baha’i Faith: “The diversity of the human family should be the cause of love and harmony as it is in music where the blending of many notes makes a perfect chord.”
NUMBERS, LETTERS, AND WORDS DERIVATIVES
In reality, the ARTS & SCIENCES are one. We must first understand this concept intellectually, and then have hands on, individual experience in order for the idea to become internalized through emotions and the other senses as well. Everything in NATURE is in harmony and connects. In the educational system, it is our responsibility to integrate the presently segregated subjects. The relationship is already there. It is up to us to recognize this relationship between different subjects and teach the concept to our students. For instance, take the idea of knitting a sweater, compare it to the making of a coil-pot, or even to the making of a financial report. I, honestly do not see much of a difference, it is all the same. The basic principle applies to everything we do in life. We start with almost nothing and build on it. It is similar to the way a tree grows, inch by inch, and branch by branch; slowly, but surely, until it reaches to its very peak, its fullest potential. You, as the maker of any object, like a gardener who works on a landscape, are just as responsible for the process as you are for the end-result. If the work is produced with love and integrity, the final work would be a reflection of those virtues, otherwise it would be a haphazardous and lifeless piece of work. For example, if one chooses to use the numbers or letters as the core or basis for his/her design, s/he should be aware of the importance of good penmanship. It is the main factor in creating this kind of abstract design, and it will definitely influence the outcome (finished work). If one desires to create refined work, s/he needs to work on the refinement and integrity of the line created by him/her. Finally, the elements used in the design can be preserved fresh and definable, or being dissolved (integrated) as part of an abstract format, depending on what kind of an approach one may choose. These intricate designs, geometric in nature, can be transformed into the creation of various objects such as: stained glass, wood carvings, furniture, doors, and windows, flower gardens, landscapes of any kinds, and anything that one’s imagination would permit. I would suggest that if this method of teaching is desired to be used, different steps of the work in process be shown. In this regard, the work can be photographed in different stages of progress, or even videotaping the work as it progresses.
By adopting this approach and this method of teaching, hopefully our dear children, in whose hands are held the future of this planet, may become more aware of the fact that there is no absolute distinction between the different subjects being taught in schools. This type of teaching is like a journey to freedom, a journey which frees a person from all the man-made limitations and boundaries, and opens a new door to the educators and students alike.
We, as educators, can help our students to get this very basic idea. One way to accomplish this task might be to have more and more combined classes. For instance, by using this teaching technique, Math class may not be as boring as some people perceive it. And yes! A creative person can make numbers work for him/her as well. After all, Math is the basis for most everything in life. You must have a sense of measurement and proportion in order to make a musical instrument or compose any music at all. Without mathematics, music could not exist. In regard to the same principle, in order to be a good cook, a good hairstylist, a good athlete, or to do well in anything; you must have a sense of balance and harmony. After all, dancing is all about form and form relationship.
These designs I am presenting with this paper, are only a few examples to show how easily this method of teaching can work. Depending on their grade level, students can be taught numbers, basic math, alphabets, words, and language. They should be encouraged to see form and form relationships in numbers and letters. They could be encouraged to create collages of their designs which would help them to see more complex designs being derived from simple forms. Long term, it can help their eyes to be trained, their sensitivity and their sense of perception increased. It will help them to see form and form relationships in their lives. They can experiment with any forms they may choose, depending on their interests. For instance, a child or adult interested in music can be encouraged to work with musical notes, as units or motifs, to create a composition.
The challenge is there and is wide open, and the opportunities are endless. Everybody, can contribute their share to the betterment of himself/herself, and, hence, make a difference in the world. It will help them to realize that LIFE in general, is all about creativity with its many dimensions. It is up to us as individuals to create our own environment, and it is in our hands to make changes as we go along in life. Ultimately, it will help students to enjoy life more fully, and will give them a greater sense of appreciation in life and everything therein. Once they start creating a variety of designs, at least two purposes will be accomplished. They will have learned about the elements they used in their designs, and the act of accomplishment, by itself, will enhance their sense of pride and self-esteem. They can be encouraged to stretch their imaginations, maybe by painting their sketches. Students can also translate their preliminary work into three-dimensional sculptures. If one’s work happens to be appropriate for a theater stage set, the art teacher, the drama, and the history teachers can get together and pull the students of various classes together, encouraging a joint project. This pool of students can make their own set and costumes for the acting class. The dramatic script subject can be from their history studies. It is not as critical where it gets started. It can start from geography class, and then spread to other classes, being constantly improvised. It is like reaching out and tying or pulling things together. Also the same designs can be translated into landscaping and buildings, and a long term project can be evolved from that. Even an architecture student may benefit from this approach. Even for a grade school student, it can become a very practical and exciting project.
The next step would be, for the students to start building their own models, if they wish, they can build a model of their dream house. Every accomplished work does start with an idea conceived somewhere, by somebody. Once the idea is conceived, each and everyone needs to be helped until they exhaust all the possibilities, and make sure that their conception had been stretched to its fullest point of maturation. It would not be too far from reality, even for the smallest child, to start working on her/his own future house. It also teaches them to set long-term and short-term goals, and work towards those goals. The whole process will help a person to learn about problem solving, which is a must in life.
It is wonderful to
know that these kinds of achievements are not too far fetched. They are
very possible. Students are taught many different lessons in one project,
and the result can be very rewarding for the students and the teachers
alike.
CONCLUSION
This paper presents only an idea, a different way of looking on life, an approach which can be adopted and adapted by any individual for the good of the society. It can make a difference in our lives if we perceive life differently. It can be applied to the lives of our children with care, from the time they are infants, all the way through their college years and adulthood.
My aim, and my hope, for this brief presentation is to make a difference in the world, no matter how small of the contribution this may represent. My fondest prayers are targeted to the educators of the world, wishing them the best of luck in their endeavor. To bear in mind that teaching is a God-given gift worthy of everlasting blessing.
EXAMPLES OF RELATED WORK
The sketches, paintings, computer print-outs, and clay works being shown in conjunction with this paper are as follows:
Clay works:
#1- Derivative NOEL / Raku Platter
(The design is based on the word NOEL. The word NOEL is the core and the focal point in this work. It also consists of the same letters; L,L,E,O, and N, being used as design elements radiating from the focal point.)
#2- Derivative Persian TAPESH / ‘Heartbeat’/Cone 6 firing-Platter
(The design is based on the word TAPESH. The word Tapesh is the core and the focal point in this work. It also consists of the same letters: T,P, and Sh, being used as design elements radiating from the focal point.)
ADDITIONAL WORKS (2-D on paper):
#3- NOEL Design / Hand colored
(The design is based on the word NOEL. The word NOEL is the core and the focal point in this work. It also consists of the four letters: L,E,O, and N,used as design elements radiating from the focal point.)
#4- Same as Design #3 / Laser print
#5- ‘World Peace’ Design / Calligraphy in Persian & English /Laser print
(The core of the design is the word SOLH in Persian, which means Peace. It is decorated with the repetition of two smaller calligraphies which read JAHANI. Together, it means “World Peace”. English “World Peace” is done in calligraphy as well, repeated three times in English, surrounding the Persian one.)
#6- Derivative Persian CHAHAR / ‘Four & 4’ / Hand colored Laser print
(The core of the design is the word CHAHAR (four) in Persian. It serves as the focal point and five Chahars as numbers (4= ) are used as design elements radiating from the focal point. The overwriting serves two purposes; adding visual texture, while being self-explanatory for teaching purposes. If one pays closer attention to the work, s/he can figure out from these accent writings, what the work is all about.)
#7- Derivative ‘Four
& 4’ / Hand colored in black and white
(The core of the design is the word FOUR. It serves as the focal point
and five “4’s” as numbers are used as design elements radiating from the
focal point. The work is finished in black and white, attempting to create
a dramatic and illusionistic effect in a very abstract format.)
#8- Derivative Persian HAFT / ‘Seven’ / Laser print/ Offset
(The core of the design is the word HAFT (Seven) in Persian. It serves as the focal point and three HAFT (Sevens) are used as design elements radiating from the focal point. This repetition of the motif attempts to establish a visual rhythm.)
#9, #10, #11- Design #8 treated differently, colored in black and white, acrylic, and in colored pencil. This was an attempt to show that different effects can be achieved from the same basic design.)
#12- Derivative Persian HAFT/ ‘Seven & 7’ / Hand colored Laser print
(The core of the design is the word HAFT (Seven) in Persian. It serves as the focal point, and five HAFT (Sevens) as numbers (7= ) are used as design elements radiating from the focal point, forming a shell-like effect. The numbers, depending from what angle, can read 7 or 8 in Persian, since one is the reverse of the other.)
#13- Derivative Persian ‘SEEN & SHEEN’ / ‘S & Sh’ / Laser print/ Offset
(The core of the design is the letter SHEEN (Sh) in Persian. It serves as the focal point and six SEEN (S’s) are used as design elements radiating from the focal point.)
#14- Derivative Persian ‘SEH’ / ‘Three’ / Hand colored
(The core of the design is the word ‘SEH’ (Three) in Persian. It serves as the focal point, and five ‘Seh’ (Three’s) are used as design elements radiating from the focal point. The overwritings serve two purposes; adding visual texture, but if looked at closely, can tell the viewer what the work is all about.)
#15- Derivative Persian ‘PANJ’ / ‘Five’ / Hand colored
(The core of the design is the word ‘PANJ’ (Five) in Persian. It serves as the focal point and five ‘PANJ’ (Fives) are used as design elements radiating from the focal point. The finished design is well unified since only one basic motif is being used, and the repetition appears to make it well proportioned, harmonious, and well integrated. The similar imagery and effect can be seen in #1, #3, #4, #5, #8, #9, #10, #11, #18, and is visualized to some degrees in #13, since only the three dots on the letter ‘Sh’ in Persian distinguishes it from the letter ‘S’ in Persian.
#16- Derivative Persian ‘ALEF’ / ‘A’s’/ Hand colored
(The core of the design is the word ‘ALEF’ in Persian. It serves as the focal point and seven Persian “A’s” are used as design elements radiating from the focal point. The overwriting serves two purposes; adding visual texture as well as being self-explanatory on the nature of the design.)
#17- Derivative Persian
‘LAM & MEEM’ / ‘L&M’
(The sketch consists of a Persian ‘L’ as the core of the design. Five Persian
“M’s” are radiating from the focal point.)
#18- Derivative Persian ‘YEK’ / ‘One’
(The sketch consist of six Persian “One’s” making an unified and well-blended design.)
* These pieces are
decorative, but also meant to be used for teaching. In other words, they
are, art, for the sake of education.
Bahereh
April, 1992 Ginger
Blue, MO.
Copyright 1992
_________________________________________
BEING AN ARTIST IS JUST
AN ATTITUDE,
SO, BE AN ARTIST: HAVE AN ATTITUDE!
Bahereh
Nov. 1998 PA
Don’t forget that that there is an artist in the EARTH (eARTh), and there is an artist in every HEART (heART)!
All one needs is, believing in herself/ himself, or having a strong belief, and pursue it in a creative fashion.
“ WHO IS AN ARTIST?! “
The answer to this question is as easy as it is
complex. Every body has to find his/her answers to it.
In my view being an artist is not necessarily about
what one does in life (for a living or as a hobby), rather it is about
one’s attitude & outlook on life. It is about how s/he perceives life, and
how s/he approaches something, and how s/he goes about it.
I regard many people as artists just because of their
attitude towards something that they do. It is about how one plants a seed, and
how one cultivates it. It is about how one shares what s/he has cultivated with
others. It is about a creative attitude. One can be just as creative in cooking,
gardening, writing, sculpting, etc...as one is in painting. And in life we are
all creators, because we all create our environment, individually and
collectively as well. The challenge is in harmonizing our efforts in order to
have a more harmonious, and pleasing world.
Bahereh
March 1998 PA
Copyright 1998
P.S.
I believe one way to sustain in life and to be able to maintain a
positive outlook on life is to find something in life that one has PASSION for,
either in art or otherwise. Something that can nourish one deep inside. A
creative world aside from the outside world which is tranquil, private, and
personal, a solitude, a sanctuary.
BEING
AN ARTIST IS JUST AN ATTITUDE, SO, BE AN ARTIST: HAVE AN
ATTITUDE!
Bahereh Nov. 1998 PA
_________________________________________
“Who Am I? Who Are You? Who is a CraftsMAN?”
How can women artists be referred to as CraftsMEN? The word could be changed to CraftsWOMEN when addressing women, and to CraftsPEOPLE or CraftsPERSONS when addressing a group of women and men.
Bahereh Khodadoost
1997 PA
Copyright 1997
_________________________________________
Persian music, architecture, dance, calligraphy,
poetry, and all the other aspects of Persian culture are all flowing and
beautiful. Its flow can be sensed by all the senses, or at times by a single
sense. Regardless of the flow being sensed visually, or otherwise, nevertheless
it does exist, and deeply experienced. Many of these art forms have their arch-shaped
structures.
In life and everything in it, I have always looked
& searched for THAT gentle start, which can be sensed like a gentle breeze.
Then, gradually building up, and creating more energy, until it reaches its
peak. Finally, slowly coming down to an end, in a fading manner. The format is
simply an ARCH: It is a combination of strength & softness that is
responsible for its beauty. The essence of the ARCH carries a sacred &
eternal message, and transforms one from within.
The wonderful buildings of the mosques are a
testimony to the beauty and strength of the arch shape. Buildings like Taj Mahal
are like visual melodic or rhythmic music to one’s eyes, and what is
responsible for it, is the repetition and the improvisation of a simple, yet
complex form called: ARCH
“An Arch is like a prayer. Its strength is in its
unity, its beauty in its repetition”
-From ELEMENTS, Nader Khalili, a famous Persian architect
It is this arch shape manifested in different facets
of life that is more in-line with my inner being, and my psychic. It truly
soothes my whole being. It is like a circle, it is never-ending (eternal).
I have realized that every time in life, I lose the
flow of energy, in its natural form, it effects my psychic. It disturbs me
emotionally, as if everything needs and should take its course until it comes to
an end! I do not enjoy sudden endings, neither do I enjoy things that start
suddenly. I get the most enjoyment from the soft, yet energetic start on
everything in life, and I get the utmost enjoyment when it builds up gradually,
yet in a flowing & systematic manner. Then, I appreciate it coming to its
end (destination), still in a melodic, rhythmic manner.
Like nature and everything in it, they all have a
life cycle, and every aspect of it has to take its course. I get the utmost
enjoyment from watching the seasons changing. It is like classical music, when
one phrase comes to an end, the other one starts, and it continues until the
end, yet it never truly ends. It continues forever, and in a sense it
reincarnates! In music, dance, etc... the key to the success is managing a
smooth transition from one phrase to the next one. Otherwise the composition
feels disjointed, and not so pleasing to one’s senses. Once the change is
there, it is not nearly as exciting as when the change is taking place. The
beauty of the Fall approaching and one’s observing the leaves changing colors
day after day, is truly indescribable. It is like a painter’s work on a large
canvas, it is like a work in progress, constantly changing, and constantly
improving. Summer night and sky gazing, Winter season which brings the magical
snow, and the Spring season, they all have their special effect on me. The
emergence of flowers and the sounds of the birds in the Spring are truly breath
taking, and connect us all to our very source (roots), to the nature which we
are all connected to. This is the true meaning of life. If one doesn’t lose
sight of this, s/he may become aware of this fact that we
as human beings are all exposed to the same nature all over the world. It is the
nature and the environment that is responsible for all the wonderful poetry and
literature, music and all the other forms of art in the world. It is and has
always been the source of inspiration for people, and it will always be.
I am grateful for being blessed with this inner
insight, which has enabled me to enjoy the true meaning of life. I am glad that
I had a chance to share my thoughts with the reader of this article.
Bahereh
March
27, 1998
PA
_________________________________________
BRAIDED CLAY PIECES:
If my BRAIDED CLAY PIECES & basket forms are considered PIECES OF ART, then what about all of those fancy hairdos I have sculpted and continue sculpting in my life?! And what about all the fancy BREAD & BRAIDED COFFEE CAKES I have made and I continue making?!
Every time I look at my braided clay pieces, they take me all the way back to my very childhood, to my long blondish hair that my dear mother, my dear paternal grandmother, and my dear older sister, Tahereh, used to care for, and braid it in so many different styles. Later on, I learned to fix, and braid my own hair in various styles. Later in life, I even became a hairstylist, and cared for many other peoples’ hair, and fixed hair in many fancy styles.
Now, I fix my own daughter’s hair (Sienna Mae) in many different styles, hoping to pass on to her the LOVE of the ones in my family who cared for me. In this way their LOVE may continue flowing from one generation to the next, and the world may become a better place!
I even BRAID my BREADS!
I even BRAID my RIBBONS for jewelry!
I just LOVE to BRAID!
Bahereh
Copyright Nov. 1998 PA
PINCHED CLAY PIECES/ SHAKERS :
If my CLAY PIECES ADORNED WITH RHYTHMIC SMALL PINCHES are considered WORKS OF ART, then what about all of those tasty pastries my beloved mother & my dear maternal grandmother used to make exactly in the shapes of these clay pieces?! In fact, it was my beloved mother who taught me to shape the pastry with simple, flowing, rhythmic and uniform pinches around the pastry dough!
The pastries she made were called: Ghotaab, and Kolompeh.
Every time I look at THESE CLAY PIECES of mine, they remind me of my parents’ kitchen. I smell the aroma of those wonderful pastries, and I taste their mouth watering delicious flavours in my mouth! Then, I promise myself that as soon as I get a chance I go to my kitchen, and I make a batch of those pastries for my dear daughter, Sienna Mae, to pass on the tradition and the special Love that my mother brought to this world, to the Next Generation!
Bahereh
Copyright Nov. 1998 PA
DILL
Dill from my garden in Pen Argyl, Pa. 1998
The aroma, the heavenly smell, and the beauty of this herb ‘DILL’ takes me all the way back to my childhood, to my grandmother, and to my mother whom with the utmost love and care prepared those tasty Persian rice dishes for the family, esp. the one with this herb has always stayed as my favorite.
Bahereh
Copyright June 1998 PA
Lentil sprouts
Lentil sprouts remind me of all the wonderful Iranian (Persian) New Year’s I spent in my country, Iran.
It brings all the fine memories back to me. I smell the fresh air I have breathed there for so many years.
Bahereh
Copyright May 1998 PA
This LEAF
I see my veins & the Veins of Humanity in this leaf.
Its green color reminds me of all the beautiful gardens, all the woods all over the world, and the beauty of my daughter’s eyes.
This leaf is taken from my daughter’s apple tree.
Bahereh
copyright May 1998 PA
This Apple Blossom
This apple blossom represents all the beautiful blossoms in the world. It is taken from my daughter’s apple tree.
It reminds me of all the buds ready to bloom inside our characters.!
Bahereh
Copyright May 1998 PA
“MY IMAGINARY PLACE”
By: Bahereh Khodadoost
March 1998
- What I like the most in Life is the Flow.
- Name of My Place is: Fantasia “Rhythmic Flow”
*Fantasia: Meaning musical composition following no fixed form or style.
- The law of my Environment is based on the: “Flow of Respect &
Love”
- for one’s self.
- for others.
- for the environment.
This is my environment’s Motto, Anthem, and Pledge of Allegiance.
- Language: “Rhythmic Flow” has a language based on the Flow of Energy, called ‘Love’. Therefore, there is no need for verbal communication. The script is written in musical notes, language of Love (the language of the world’s poetry) with infinite flow of Melody & Rhythm. Once the script is written, it is played in the air, and the others will receive the message.
- Currency: There is no need for the exchange of money. In this place everybody works, and everybody shares.
- Stamp: There is no need for stamps. In my imaginary world, everybody communicates through Thought Wave Energy. Even the Electronics & Technology are set up that way.
- Flag: It has waves in the rainbow of colors, and is adorned with musical notes. Its shape is based on a design which is based on #9, #5 ’ ‘ in Persian, and ‘ ‘ heart shape. The shape of the Flag constantly changes like a flowing, moving painting.
- Shape: The shape of the country is again based on the shape #9, #5 ‘ ‘ in Persian, and ‘ ‘ heart shape. The shape is flowing, and constantly changing from one form to another. There are waves of sweet water (representing the positive thoughts) running through it, but they do not create any boundaries. This country has no borders.
My country does not have one shape, the shape constantly changes and evolves, like a moving painting.
The flag follows the shape of the country as well, it changes as the shape of the country changes. They are in perfect harmony, and they synchronize.
- The Inhabitants: The creatures in this country are all kinds, and anyone who has insight, and sensitivity is welcome to enter in. Meaning anyone who can feel, and understand the merit in the country’s Anthem, Motto, Pledge of Allegiance, is welcome here. Anyone with positive thoughts is welcome to come and go at any given time.
The creatures living in this atmosphere produce their own substance for surviving, yet they are diverse, and have different needs. They believe in recycling. What is a waste among one group, it is a need/must for another group. This is a never-ending cycle. The creatures are constantly moving from one shape to another as well. They are all blessed with the Art of Transformation in a continuous manner. Nobody stays the same at all times. They are like butterflies, changing from one form to another in a smooth transition, not so visible to one’s eyes.
The atmosphere is pleasant, serene, and tranquil. Disagreements are solved peacefully.
- Education: Everybody learns by the virtue of thinking, observing, questioning, and at the end finding their own answers.
In this environment everybody is a teacher at all times, and everybody is a student at all times. The education process starts at birth and goes on forever.
*******************
Additional Information:
- For those of you who are wondering about the Politics, or Religion of this environment, you can find it in its Motto/ Pledge of Allegiance/ and its Anthem.
- Have you figured out who are the Inhabitants of this environment?! - The answer is: The Inhabitants are from a diverse background, but they are allowed to bring their True Being, their Unique Individuality, The Essence of Life, The Essence of Existence, Their Mind & Soul to this Environment. This is a Place for Minds & Souls where one can share and enhance one’s Reality of Existence.
- Suddenly, I realized that this is not my Imaginary Space, I have been to this place many, many times. Yet, perhaps something, or somewhere that is so real, so familiar to one, can be imaginary for another one.
I am glad that I had a chance to share my world with you. Please you do the same.
********************
EXPLANATIONS ON THE USE OF #9, #5 ‘ ‘ IN PERSIAN, AND ‘ ‘ HEART:
I have based the shape of my country on #‘9’, #5 ‘ ‘ in Persian, and ‘ ‘ heart, because:
- The Number Nine is considered by those who are interested in numbers as a sign of perfection. Also it is considered by some people as sacred because it is symbolic of the Perfection.... Nine is the highest single digit, hence symbolizes comprehensiveness, culmination.
- The reason for combining it with ‘ ‘, ‘ ‘ is because I have always found myself being drawn to these shapes. My favorite number in Persian has always been number 5’ ‘. The reason for this fascination is simply based on the flow of the shape, which is rhythmic, flowing and uniform.
* This dance was very different from any dance that I have ever seen. I believe it is worth making it into a stage production!
- I do remember lots of Jewish Iranians who were in the fabric business.
- Here is an image from the fabric of my dream:
*******************
BEING
AN ARTIST IS JUST AN ATTITUDE, SO, BE AN ARTIST: HAVE AN
ATTITUDE!
“Artist and Nature”
Just like NATURE, if the ARTIST is not appreciated,
s/he will not prosper! Creatively, s/he will die, because s/he may not be able
to sustain being CREATIVE.
-
If you don’t sell the work in progress, the work can not progress.
- Bahereh April 30,
1998
-
The only person who can promote you, is U!
- Bahereh May 1998
-
If you want, you can use them, you don’t want to abuse them!
'May
you always believe in the Magic of Human Spirit'
- Bahereh
May 1998 PA
“FINDING YOUR OWN RHYTHM”
Your
Rhythm, like your voice, makes a difference in the RHYTHM of the world.
Bahereh 1997,PA.
“FINGERPRINTS
Of UNITY/ACIRCLEOFIMPRESSIONISTS”
The
formation of the World Community depends on INDIVIDUAL Impressions, the
uniqueness of every individual’s fingerprint!
“Bahereh the mystic?!J”
All my life I wished to be understood, and almost all
my life I have been misunderstood! This is true in any language that I can
possibly speak or write, this also includes my mother tongue, Persian! This has
been true for the most part when I speak, and when I write, and even when I stay
quiet!!! Perhaps language of mysticism, the only language that I know well, is a
language that is perceived even in its written form a language with a strong
accent and hard to understand! God,
please help me to find a common language which may enable me to communicate with
people!
In other words, most of the time I feel I am
persecuted for my open-mindedness, and of course the older I get, the more set I
become in my open-mindedness, if that makes any sense!
Bahereh Sept. 17th, 2002 Pen Argyl, PA
I would like
to use art to keep my SOUL ALIVE! To bring some understanding, beauty, and
harmony (and some harMONEY!) to the world. To reach a larger population of
people esp. CHILDREN; helping them to connect and stay in contact with their
inner being, and stay in contact with their best tools, their IMAGINATION! I
want them to know that they have the right in believing in themselves, and in
stretching their imaginations as far as they can, and being limited only by
their own imaginations and nothing else. They should be encouraged to DREAM, and
pursue their dreams, and make their dreams realities!
Bahereh
My Thoughts on Raku Firing
I hear from many people and even most Clay Artists,
that the Raku experience is such a wonderful experience since it is quick and
gives one instant gratification. For me it is and has always been very
different. I experience something SACRED, extremely timeless and lasting in the
whole process, and that is what attracted me to “Raku Firing” in the first
place and from the very beginning.
HEARTizen’s Abode!
EARN-IT/ ‘URN’ Homes
B. Sacred HOMES
By: Bahereh Khodadoost
Copyright 1999 PA
Rainbow to Rainbow
Life to Life
This
DWELLING
is made out of clay. It contains the Essence of All Things,
The
very Essence of ‘U’!
“Sacredness
is the reality in every human being.”
Last
night (Feb.25,1999), in our studio, I made a very small pinch pot, I closed it
all the way, then, I opened a small opening on the side, towards the top of the
pot, for a small CRYSTAL , to be used as a STOPPER. This morning I went to my
studio, I checked on this pot, and
I put the CRYSTAL in the hole part, and MY MIND SOARED, and it has not stopped,
YET! Bahereh is in the process of making her first house! This house will be
made out of clay, with a large arch-shape door, and a skylight. The dream is not
that new! She has talked about it for a long time. She has written about it for
a long time. Here, I bring an example of it, taken from one of my articles
called: “MY COIL-POTS/ MY ABODE”, written on Sept 19,1997 PA
:
“To
me, CLAY has a timeless quality. Working with CLAY spiritualizes that quality
within a person, and as the result carries a sacred and eternal message, SACRED
as time immemorial. Once this process takes place, and this wonderful quality
translates itself in the work, it gives SOUL to the finished work, yet every one
of these clay pieces seems to possess its own SOUL. This can be experienced in
many different ways; although I have experienced it more fully in the MAKING of
the coil-pots.
Here
I am sharing my latest day dream with the reader(s) of this article. This dream
is only two weeks old. Two Sundays ago, I was sitting in my living room staring
at a few of my coil-pots. Suddenly,
it came to my mind that I would like to make a much larger version of my
coil-pots. This way my pots can have an idea of their bigger picture! I shared
my thought with my husband who speaks my artistic language as well. The time had
come for me to make a bigger version of ORENDA, at least large enough to invite
a person to go inside my abode. I am or better to say we are quite exited over
the prospect of making this dream a reality.”
* ‘ORENDA,
The Life Force’, was made in the summer of 1997 by me, Bahereh! It is a Raku
Coil-pot, it has an opening in the belly part appropriate to its shape, and its
personality, and it has an opening on top. Its overall shape is tall and oval.
It is my favorite coil-pot, yet!
And She lives with me in my bed-room! There is a light inside of ORENDA that is
lit all the time, yet it is at night time that it has its most impact, visually
& Emotionally! It reflects light through its openings on the ceiling of our
bedroom, and delights my HEART! Among all my clay pots, ORENDA
appears to possess the most soul, so far.
Once again, I am quite exited over the prospect of making this dream a reality. What makes this house different from any other house, is the fact that the door, the door knob, and the skylight are CRYSTALS! The outside of the house, and the inside surfaces are all treated smoothly, or with textures taken from nature. Perhaps the house consists of more than one story, many compartments, and staircase to the HIGHER GROUND(S), but there is no closed off section(s). This is due to the fact that when the Sun Shines, and Its rays hits the CRYSTALS, a spectacular show of rainbows will appear on its walls, its floor, and its ceiling, and in this way nothing will be obscured from one’s eyes, and from one’s other senses, Including that significant inner sense, called INSIGHT! This way, the dweller, whoever may DWELL in this ABODE will frequently be reminded of LIFE ITSELF! Bahereh calls this home and other homes like it: ‘BEAUTY, PURITY, & FLIGHT! You can call yours anything your heart desires! If you, or anyone you may know is interested in living in such houses, may contact me at:
“ How
Do I Miss My ARCH! ”
Persian music, architecture, dance, calligraphy,
poetry, and all the other aspects of Persian culture are all flowing and
beautiful. Its flow can be sensed by all the senses, or at times by a single
sense. Regardless of the flow being sensed visually, or otherwise, nevertheless
it does exist, and deeply experienced. Many of these art forms have their arch-shaped
structures.
In life and everything in it, I have always looked
& searched for THAT gentle start, which can be sensed like a gentle breeze.
Then, gradually building up, and creating more energy, until it reaches its
peak. Finally, slowly coming down to an end, in a fading manner. The format is
simply an ARCH: It is a combination of strength & softness that is
responsible for its beauty. The essence of the ARCH carries a sacred &
eternal message, and transforms one from within.
The wonderful buildings of the mosques are a
testimony to the beauty and strength of the arch shape. Buildings like Taj Mahal
are like visual melodic or rhythmic music to one’s eyes, and what is
responsible for it, is the repetition and the improvisation of a simple, yet
complex form called: ARCH
“An Arch is like a prayer. Its strength is in its
unity, its beauty in its repetition”
-From ELEMENTS, Nader Khalili, a famous Persian architect
It is this arch shape manifested in different facets
of life that is more in-line with my inner being, and my psychic. It truly
soothes my whole being. It is like a circle, it is never-ending (eternal).
I have realized that every time in life, I lose the
flow of energy, in its natural form, it effects my psychic. It disturbs me
emotionally, as if everything needs and should take its course until it comes to
an end! I do not enjoy sudden endings, neither do I enjoy things that start
suddenly. I get the most enjoyment from the soft, yet energetic start on
everything in life, and I get the utmost enjoyment when it builds up gradually,
yet in a flowing & systematic manner. Then, I appreciate it coming to its
end (destination), still in a melodic, rhythmic manner.
Like nature and everything in it, they all have a
life cycle, and every aspect of it has to take its course. I get the utmost
enjoyment from watching the seasons changing. It is like classical music, when
one phrase comes to an end, the other one starts, and it continues until the
end, yet it never truly ends. It continues forever, and in a sense it
reincarnates! In music, dance, etc... the key to the success is managing a
smooth transition from one phrase to the next one. Otherwise the composition
feels disjointed, and not so pleasing to one’s senses. Once the change is
there, it is not nearly as exciting as when the change is taking place. The
beauty of the Fall approaching and one’s observing the leaves changing colors
day after day, is truly indescribable. It is like a painter’s work on a large
canvas, it is like a work in progress, constantly changing, and constantly
improving. Summer night and sky gazing, Winter season which brings the magical
snow, and the Spring season, they all have their special effect on me. The
emergence of flowers and the sounds of the birds in the Spring are truly breath
taking, and connect us all to our very source (roots), to the nature which we
are all connected to. This is the true meaning of life. If one doesn’t lose
sight of this, s/he may become aware of this fact that we
as human beings are all exposed to the same nature all over the world. It is the
nature and the environment that is responsible for all the wonderful poetry and
literature, music and all the other forms of art in the world. It is and has
always been the source of inspiration for people, and it will always be.
I am grateful for being blessed with this inner
insight, which has enabled me to enjoy the true meaning of life. I am glad that
I had a chance to share my thoughts with the reader of this article.
Bahereh
March
27, 1998
PA
‘Beautiful
Alphabet Town’ by Bahereh
Jan. 2002
Part of an ongoing series of interviews with notable
Iranians
I somehow met Bahereh Khodadoost through the Internet (what
else?) and found myself connected to her. Maybe it was because
she is a Libra and I am an Aquarius (high compatibility?), maybe it
was because I remember my ART 101 class in college when I
thought I would get my humanities requirements out of the way
only to find a weird and scary connection with clay and pottery
instead? However it happened it happened, and I feel compelled to
share her. I found her engaging, pure and true and I hope she takes
you far away!
-Bruce Bahmani, Feb, 1998
from The Iranian Web Newspaper, Feb. 19, 1998
BB: How did you get into this as a means of artistic expression? What was
your
first connection?
BK: Needless to say, my first connection with this medium was
positive. I have
always thought myself an artist. (professionally since 1985). It was Oct.
1984,
when I met my husband Walter Heath at a Raku Firing workshop in Tulsa,
Oklahoma. At the time I had limited experience with clay, but knew I
loved
working with it. I became involved with clay after we married in 1985.
To me CLAY is timeless and primitive. Working with it spiritualizes me,
and the
result carries a sacred and eternal message. When this takes place and
translates
itself, it gives a SOUL to the piece. I have experienced this more often
in coil-pots.
It's hard to describe, you have to experience it.
Perhaps I am insane!!!
BB: How does being Iranian influence your art? What is it about being
Iranian that
makes you different than other artists?
BK: I don't consider myself purely a Persian artist, but a multi-cultural
artist
influenced by my background. My work is inspired by my whole life. You
find an
essence of Iran in my work, but my work does not present itself as
Persian Art. It
is a marriage between East & West.
I have a sense of
harmony and balance (a true Libra?) and a never ending longing
for beauty. I have searched to bring these together in my life. I
appreciate the blend
of grace and strength, simplicity and complexity, function and decor of
an object.
Quality of line is important. A combination of softness and strength used
with
integrity is most important.
BB: When did you have your first artistic experience? When did you
realize you
wanted to become an artist?
BK: It might have been as a child, watching my [dear] mother read us a
poem, or
show us how to shape pastry with simple, flowing, and uniform pinches.
Maybe it
was looking at the structures, and designs in my grandparent's yard. Or
when I was
first introduced to music, and nature. I don't really have a definite
answer. All I
know is I have been artistic since I can remember. I could just feel it.
Everyone is
creative. We create our lives. Unfortunately, I don't see creativity
encouraged in the education system the way it ought to be. Our children
lose their
creativity. An individual's imagination needs to be nurtured. Every
positive thing in
life, occurred from an individual's dream. I was certain that art was the
dream I
wanted. It is not easy but very rewarding. As an artist, I feel I can
make a
difference in the lives of people around me.
BB: Is your art for sale? Do you do commission work?
BK: I sell my art work through galleries and stores, and from my studio
gallery. I
do some commission work. I enjoy executing my own ideas but I am capable
of
working with someone else's ideas.
BB: On your website I saw your Peace piece
(sorry!) what does that mean to you and what
thoughts caused you to create something
symmetrical yet evocative? I think I get it,
Peace / Symmetry, how did you bring the
two together?
BK: Interestingly enough, I have sold more
Peace tiles to Non-Persian people as
opposed to Persians! I guess the work
speaks for itself. Many people are attracted
to it, even though they can't read it!
I integrated Persian calligraphy, because I believe in the energy and
spirit of the
words. The Persian Peace tile was made from my calligraphy, carved, made
into a
mold, and then as a finished clay tile. I have other works with English,
Hebrew,
Egyptian,and Hindu images
using this technique.
I have always liked symbolism, whether in poetry, art, or nature. I have
also always
liked imagery, abstract, representational, or symbolic. These are the
reasons for
symbolism in my work. Carved images, used as stamps on my pieces; or, at
times,
used as models for slip cast pieces. These images when used in multiples,
produce
wonderful complex patterns, and become simply design motifs.
website. How do you get that metallic look and how much control do you
have
over the colors during firing?
BK: The metallic look is done to stoneware, usually gray clay, and fired
in an
outdoor gas kiln. This Japanese technique is called RAKU where pieces are
first
bisqued (fired to low temperature). Metallic glazes contain metal oxides
such as
copper, nickel, or iron. In the second firing, the pots are removed from
the gas kiln
at 1800 F, and put in a metal container, covered with dry leaves, hay, or
old
newspaper. After a few minutes, the container is opened ( the moment of
excitement!). Every pot has a different look filled with life and energy.
The artist has
some control, but not total control. Just like LIFE!
Variables are: the weather? The time of the day? Your feeling at the time
of the
firing?! And many more! Many artists like raku because it is quick and
gives you
instant gratification. For me it is something more sacred and timeless.
BB: Do you do any other forms of art?
BK: Yes! My painting medium is acrylics which I like because it has some
of the
properties of oils, and water colors. I often use it as a wash. Also the
glazes on my
clay pieces are painted on. I also enjoy painting on outdoor surfaces,
like my drive
way. It is a very different and wonderful surface to work on. I also
design for
public art projects, such as "Children of the World", and
"Lotus Multi-Cultural
Clock".
BB: Where do you want to go with your art? What is your ultimate goal?
BK: I would like to use art to keep my SOUL ALIVE! And to reach children;
help
them connect and stay in contact with their inner being, and imagination!
BB: Where were you born? How did you grow up, city, environment, family?
BK: I was born in Iran a very long time ago! I grew up like a weed, but a
very
short one! I
am 5 foot 3. I was born in my mother's hometown of
Kerman in
1946. I was about 9 months old, when my mother brought me to Tehran,
where
my father came from and where my parents already lived. I grew up mostly
in
Tehran. My parents taught us life. I remember them both as, loving,
caring, and
fair-minded people. They taught us not only through their words, but
through their
deeds.
BB: Have you been back to Iran?
BK: No! I hope someday I can go home, and take my husband and daughter
with
me. I have many fond memories of Iran. These memories are cherished,
forever, as
long as I live.
Bahereh Khodadoost <bahereh@wyndows.com> is a Juried
Member of the
Pennsylvania guild of Craftsmen(Craftspersons). She is also a Member of
the
Monroe County Arts Council in Pennsylvania. A Juried Artist in the 1996
Directory of Pennsylvania Artists & Folklorists. Member of the State
of
Pennsylvania Council on the Arts. A Juried Artist of Pennsylvania-Made
crafts.
These memberships give her the opportunity to bring awareness in society
and the
younger generation through teaching.
Please
visit Bahereh’s Website: WWW.WYNDOWS.COM/GB
An Interview with Bahereh by Nicole from Germany
Survey:
First Generation
1.
Are you male or female?
Bahereh:
Female
2.
How old are you?
Bahereh:
56
years young!
3.
What level of education have you completed?
Bahereh:
I
(Bahereh Khodadoost) am an artist/ writer/ multi-cultural educator. I have been
a professional clay artist since
1985, grew up in Iran, and moved to this country in 1979, with a degree in
English Literature. The last time I left my country, it was in April 1979. I had
graduated from college with a degree in English Literature in early 70’s. I
was back to University (Pahlavi Univ. in Shiraz) working on my Master’s degree
in Library Science when the Revolution started. I ended up at University of Ga.
pursuing a degree in Comparative Literature in Fall 1979. Later on, I studied
mainly Art in Missouri, Kansas, and finally in Alfred, New York. I find Art
and Poetry inseparable from each other, because they both touch the
soul of a human being. I have studied primarily Literature and Art
in various schools in America, such as: ALFRED UNIVERSITY (NY), PITTSBURG ST.
UNV. (KS), UNV. OF GEORGIA, CROWDER COLLEGE (MO).
Conducted classes at studio and in various schools.
4.
How long have you lived in the United States? How old were you when you moved to
the US?
Bahereh:
I
was born in Iran(Persia), the year was 1946.
I came to America in Summer 1979, so I was 32 years old when I came to
the United States of America, and I have lived in this country for over 23
years.
5.
Did you come alone or with your family?
Bahereh:
I came alone.
6.
Why did you choose the United States?
Bahereh:
I had admissions from a couple of universities in the United
States of America, and because my older brother and his family were living in
the state of Georgia, I decided to move to Georgia. I graduated from Pars
College in Tehran with a B.A. in English Literature, in 1972. After a few years
of working, and traveling, I decided to pursue a Master’s degree. I enrolled
at the Graduate School at Shiraz Pahlavi University in Shiraz, in 1978. I was
pursuing a degree in Library Science. It was then when Iranian Revolution
started. I ended up leaving Shiraz, I came to Tehran where my parents lived.
After a few months, it was April 1979, when I left Iran for Europe, and a few
months later, I landed in the USA. I became a graduate student at the University
of Ga. from Fall 1979-Summer 1981, majoring in Comparative Literature. From
there I ended up in Springfield, Mo. I went to cosmetology school, and I became
a hair-stylist. I worked full-time, and part-time in that field for a few years.
By 1984, I found myself, living in Tulsa, Oklahoma. It was in Tulsa, when I met
my husband and the rest is HISTORY! Or may be the rest is HER STORY!
Below is her story:
We
got married on Feb. 2, 1985, and I moved to Ginger Blue, Mo. where my husband
lived. While working as a hair stylist, and a book-keeper, etc..., I became very
involved in the art world. By 1986, we found ourselves in Pittsburg State Univ.
in Pittsburg, Ks. pursuing more education in the art field. By Fall 1987, we
found ourselves in Alfred, N.Y. at Alfred Univ. pursuing more art. By Fall 1988,
we were back to Ginger Blue, Mo. We lived there from 1988-Summer 1992. During
those years, we worked as individual artists and designers, plus any odd jobs
possible trying to make the ends meet. By then we also had our daughter Sienna
Mae who was born on Oct. 10, 1989, a day before my birthday which is Oct. 11th!
In the Spring of 1992, we got a job offer from a company in Pa. with a show-room
in New York City. We ended up moving to Pen Argyl, Pa. to work for that company
while pursuing our own individual artistic pursuits. To make a long story short
(or longer!), after a year and a half (by
the end of 1993), the company closed, but we ended up staying in Pen Argyl, Pa.
By that time, we had our own studio in Pen Argyl. That is the end of the story,
that is why we are still living here!
7.
How frequently do you call Iran?
Bahereh:
Not
as frequent as I wish to call.
8.
How frequently do you visit Iran?
Bahereh:
I
haven’t been back to Iran since last time I have left my beloved country of
Iran in April 1979. I have not had the opportunity to be back to Iran since I
have left my first Homeland in the Spring of 1979. On 1985, I got married for
the first time at the age of 37 to an American artist, Walter. Someday, I would like to go back to my homeland, and share its beauty with my
husband, Walter, and with my
daughter, Sienna Mae. I have many fond memories from my growing up in Iran.
These memories are cherished, forever, in the chamber of my heart, and in the
deepest part of my mind, as long as I live.
9.
Do you speak Farsi (or Turkish, Kurdish, Arabic, Armenian) with your Iranian
friends or English, or some mixture thereof?
Bahereh:
With
the ones that know English well, I speak in Persian and English both. Often if
we are alone, only Persians around, we go back to speaking in the Persian
language, but when our American friends are around, out of respect for them, I
try to speak in the English language. But I do offer
a very creative “Persian Language & Writing” class & A Taste of Persian Culture”. This class is about connecting
the dots between the Persian & the English languages! I have a
multi-cultural attitude with a unified approach. For example, I find a common
denominator in various languages. I have a series of writings on the subject
that promotes and encourages one to learn a different language, for instance
Persian language, and not to see it as a FOREIGN language. It is a fun way of
learning a foreign language through a series of ‘GAMES’.
10.
Do you dream or think in Farsi (or Turkish, Kurdish, Arabic, Armenian) or
English?
Bahereh:
I believe when I first came to America, I dreamed and I
thought more in Farsi, but as the time went by, I dreamt and thought in both
Farsi, and in the English language. It also has a lot to do with the subject,
somethings take me back to Iran, and then the thoughts becomes more Persian, if
you know what I mean. But generally speaking I am just as much an English
dreamer/ thinker as I am a Persian one.
11.
Do you decorate your residence/ room with Iranian objects? What kind of objects?
Bahereh:
I
am a very multi-faceted person. My home reflects my attitude on life. I
appreciate diversity and my home like my clay work reflects my background and
varied interests. My home decoration is not purely a Persian decoration, but a
multi-cultural decoration. One may find an essence of Persian art and culture in
my home, but my home does not present itself as a Persian home. It is a marriage
between East and West. I have many art objects from many cultures, and they all
have their own beauty and their own character, and I appreciate them all. But I
am proud of my Persian art, and my Iranian culture, the true Persian culture
which in my opinion is different than just being from Iran.
12.
What do you like best and least about your life in the United States?
Bahereh:
I love the freedom of speech. I have always managed to THINK
FREELY, but to be able to express it freely is a gift that should not be taken
lightly. I believe that FREEDOM COMES WITH RESPONSIBILITIES, and it upsets me
greatly when one does not exercise
this wonderful freedom responsibly and respectfully.
13.
What do you like best and least about life in Iran?
Bahereh:
I love the true part of Persian culture, the true part of the
Culture that NEVER dies. The Arts,
and the Literature that will exist forever! The Love Songs that will never cease
to exist, no matter what! And of course, I still miss part of my family that I
have left behind. And what I don’t like about Iran is FANATICISM, in fact that
is what I don’t like no matter where I live.
14.
Did you come as an “immigrant” or “exile” to the United States?
Bahereh:
I came to America with a student visa. A few years later, I
became a permanent resident of the USA, and I obtained my Green Card based on
Religious Asylum.
15.
Would you ever live in Iran again? If yes, under what conditions? If no, why
not?
Bahereh:
This
is a very hard and complex question to answer. Most likely if I go back to Iran,
it would be for a visit, and not to stay. I definitely will not live in Iran
under the present condition, the FANATICISM turns me off. If the situation
changes drastically for the better, under a true democratic Iran, I might
consider living there.
16.
What do you consider yourself: Iranian, Iranian-American, or American? Why?
Bahereh:
Iranian.
Because I feel it in my heart! But I must admit that I am grateful for the
positive experiences I have had here, too. I think of myself more of an
Iranian-American.
17.
When you say "my country" which country do you mean?
Bahereh:
As a HEARTizen (I wish to be one!), any where life beckons me,
is HOME. Yet, I cannot deny my special love for where I was born and raised,
IRAN/ PERSIA. Usually when I say “my country”, I mean Iran, but I do
consider my host country of the United States of America as my 2nd HOME!
18.
Did/ Do you feel a loss of identity?
Bahereh:
No,
I don’t feel a loss of identity. I have always felt fortunate and comfortable
with myself. That is why when one
tells me: “Aren’t you fortunate that you live in America?” my answer is:
“For your information, I was fortunate even before I came to America. I was
blessed for having the type of parents
that I had. I am grateful for the type of personality that God had granted to
me. I am appreciative for .... The list can go on and on.” I was raised in a
loving, well educated, and open-minded family. My mother was an educated mystic,
and very much involved in music, poetry, and literature. My father was a
self-made man, and well educated. They both were true humanists who were one of
the most honest, trustworthy, loving, compassionate, and well-respected
individuals. They taught their children not only through their words, but
through their deeds. Because of my mother’s loving personality, and my
father’s high position in society, and above that because of their religious
belief in universal peace and the unity of peoplekind, we as a family had many
opportunities to meet and get acquainted with people from other cultures, in our
childhood all the way to adulthood. As a young child, we learned and observed
the commonality existing in different people. We learned that despite the fact
that there are so many languages in the world, in reality there exist only two
major languages, which can be classified as:
-
The language of Love and Peace
-
The language of Hate and War
It
simply is up to each individual to use his/her common sense, and choose one of
the above languages.
19.
Has anything changed since September 11?
Bahereh:
I
can’t say if things had changed so much since Sept. 11th, rather what has
already existed has become more pronounced. Unfortunately in this world, many
forms and degrees of discrimination exist. It is usually based on ignorance,
assumptions, and arrogance. Discrimination is wrong. There is no justification
for it.
As
a woman/foreigner in this country (United States of America), I have experienced
being targeted to many forms of attempted discrimination. I call it attempted
discriminations, because all my life, I have always known my rights as a human
being, I always have stood up for them, and I will continue to do so.
I
believe that people should concentrate more on remembering that
It
is the circle that unites us all! And not emphasizing so much on God Bless
America, and Proud to Be an American, rather one should see herself or himself
as part of the human family and focus on
God
Bless every one, and Proud to Be a humanist.
After
all, 9/11 was not only an American tragedy, rather it was a
human tragedy, a Universal Tragedy, the loss of many, many innocent
people. I, personally feel that as
a member of the world society, I lost many of my relatives and friends on that
tragic day. Of course, we as Humanity as a whole, must continue working toward a
world of love and compassion, and above all toward a just world society. Let’s
hope and work toward World Peace!
The
fact is that every culture is multi-faceted, and there are many cultures within
every culture. For example, like
every other place on this Planet Earth, there are fanatics, reformers, liberals,
and many others in between living
in the country of Iran. I know that there are many, many educated, peace loving
people, men and women who lived in Iran during my living there, and I know that
there are many more educated men and women who live there as I am writing these
lines. In many of Middle Eastern countries like my country of Iran, which are
considered Muslim countries, yet there are a large numbers of adherents to other
religions live in those countries as well, such as Baha’is ( I am a member of
this religion), Christians, Jews, Zoroastrians, etc...
Although
I realize that there are some differences between cultures, but for instance as
a woman I have not been treated differently in Iran or in America, may be
because I have always known my RIGHTS! I have always believed in EQUALITY in its
true sense. I believe that We (the Americans) are only considered the luckiest
people in this world, simply because we have the best tools (meaning the people
of diverse origins) to create a world based on UNITY THROUGH DIVERSITY. Even in
today’s Iran, as backward, and as awkward as the situation appears to be, we
need to remind ourselves that Iran is a mosaic of many tribes and nationalities
with different cultures and traditions. They are real people, many intelligent,
decent, and well-rounded human beings who live beneath the gloomy surface of
Iran (under the present government), whose negative images are reinforced
through the media, especially in the eyes of a westerner. I, personally have no
doubt in my heart, in my soul, and in my mind, that Iran will become prosperous
again.
20.
In speaking to Americans, do you call yourself Iranian, Iranian-American, or
American?
Bahereh:
Iranian.
21.
What does it mean to be Iranian?
Bahereh:
To
honour the part of Persian Culture that I have always admired, and to add to it
the part of other cultures that I find close to my soul, mind, and heart. It is
my roots, but I can add more to it.
22.
What makes Iranians different from other groups in the United States
Bahereh:
I don’t really know. I assume nothing makes them different.
It is more what one is looking for.
23.
Did you adapt to American culture? How?
Bahereh:
I
have to admit that coming to the USA was not a culture shock for me. It was
somewhat different from what I was accustomed to, but not different enough to be
a culture shock. On the other hand, most of my life, I as an individual, have
always been somewhat shocked no matter where I lived! You may consider me a
misfit! Although I fit just fine in my own body! And I am very comfortable with
this arrangement! I have always been free as a woman and as a human being,
because I believe in the freedom of the spirit. I have not been treated any
differently as a woman in America comparing to the way I was treated in my
country of Iran. All my life, I have always known my rights as a human being, I
always have stood up for them, and I will continue to do so. Discrimination
exists in any given society, if you allow it to impact your life, it will,
but if you know your rights, you would not let it to impact your life.
I
must say that I never felt pressured to “embrace” and blend with American
culture, and it has been pretty easy for me to keep my Persian Culture while
adding some parts of the American Culture to it. I have done this by sharing my
culture through the means of friendship with others, and I have stayed open to
what other cultures had to offer to me. Having a child, or not having a child, I
have tried and continue trying to live a balanced life. But I must admit that
having a child has encouraged me to celebrate my culture along with the culture
of my second homeland more fully. My intention has always been to be a
well-rounded human being, and I wish the same for my daughter, as well. So, I
have tried and continue trying to expose her to variety of positive experiences,
and the exposure to the essence of Persian and American Cultures are no
different. I don’t find it that hard to balance both cultures, because in
their essence are the same, and since we don’t have hardly any Iranians in our
town to share the Persian parts of the culture with, we happily celebrate it
with our other friends from different walks of life, esp. the ones that we
consider our Kindred Spirited friends.
I
strongly believe that one must strive to get along with people. This does not
mean conforming. It means that one should get along with others but not to the
extent of loosing her/his identity and his/her main values in life. Occasionally
I have felt that in American society like any other society, there are some
untold expectations, such as the desire to encourage one to conform, perhaps by
conforming, it makes life easier for every body. For instance if you as a
foreigner changing your name to a more familiar name, or if you pretend that
your culture has nothing to offer, etc, etc, most people feel more comfortable
to be around you. But for instance,
I have decided that although I have nothing against anyone’s name, but I wish
to maintain my given name by my parents. At first, it makes some Americans
uncomfortable, but after a while they
are eased into pronouncing: Bahereh Khodadoost. They often say: What do you want
us to call you?! I smile and I say: You can call me anything! But if you wish my
responding to you, then you better call me by my own name!
And
now, talking about different traditions, I always look for a common denominator
in every thing. For instance, Iranian New Year is on March 21st, the first day
of Spring. The New Year here is Dec. 31st. So what? It still is a Celebration.
So I celebrate more celebrations! I only add more to my life, anything
meaningful and positive. I don’t give up, and I don’t give in! I keep the
good parts of my culture, the parts that after some soul searching, I have come
to the conclusions than are part of my very own personal culture, and I add any
parts of other cultures that are positive and makes my life even better.
I celebrate the spirit and the beauty embedded in all the diverse
holidays and holy days. I celebrate the joy, happiness, unity and peace that
exist in all of these events. They are excuses to remind us how important it is
to be loving, caring and kind to our fellow human beings. I celebrate “The
celebration of light and birth” which is manifested fully in many people’s
celebrations such as Hanukkah “Celebration of Light;” “Winter Solstice”
The birth of Light, The rebirth of the Sun;” Christmas with its
beautiful spirit, wonderfully celebrates the birth of the Holiness Jesus Christ.
The beauty of the Xmas tree and its bright lights embody the life and teachings
of Jesus. Iranian New Year (Naw-Ruz) as the Celebration of Spring with all its
beauty and all its symbolism exemplified and manifested in its seven S’s.
Kwanzza has its own beauty; Chinese New Year’s celebration is exhilarating and
jubilant; so is the Native American Powwow and some other celebrations. I also
celebrate the long time tradition of lighting candles in temples and shrines
throughout the world.
So,
I CELEBRATE LIFE!!!
24.
Do you modify your name in an American setting in order for the Americans to
pronounce it more easily? How?
Bahereh:
NO!
I may help one with the pronunciation, and that they are more than
welcome to call me by my first name which I often prefer any ways, and I
jokingly say that I am like CHER, I have only one name!
My
name is Bahereh Khodadoost. My first name is fairly unusual even in my country,
Iran. Bahereh means shiny, clear. My last name is my father’s last name, given
to me at birth. Khodadoost is a compound word, consisting of two words, Khoda
meaning God, and Doost meaning Friend. The equivalent to this word in
English (OLD) is Godfrey. According to The Catholic Encyclopedia, the etymology
(origin) of the word “God” is: Anglo-Saxon God; German Gott; akin to Persian
khoda; Hindu khooda. I am a writer,
an educator, and an artist. I
believe that:
BEING
AN ARTIST IS JUST AN ATTITUDE, SO, BE AN ARTIST: HAVE AN
ATTITUDE!
I
strongly believe that one must strive to get along with people. This does not
mean conforming. It means that one should get along with others but not to the
extent of loosing her/his identity and his/her main values in life. Occasionally
I have felt that in American society like any other society, there are some
untold expectations, such as the desire to encourage one to conform, perhaps by
conforming, it makes life easier for every body. For instance if you as a
foreigner changing your name to a more familiar name, or if you pretend that
your culture has nothing to offer, etc, etc, most people feel more comfortable
to be around you. But for instance,
I have decided that although I have nothing against anyone’s name, but I wish
to maintain my given name by my parents. At first, it makes some Americans
uncomfortable, but after a while they
are eased into pronouncing: Bahereh Khodadoost. They often say: What do you want
us to call you?! I smile and I say: You can call me anything! But if you wish my
responding to you, then you better call me by my own name!
25.
Did you come across any stereotypes of Iranians? Which ones?
Bahereh:
Plenty
of them, usually based on misconception, and this fact that most American have
only one image of Middle Easterners, and also the Middle Eastern Women, and all
the negative images. So, I end up repeating that:
As a woman, I
was born and raised in Iran. I was born in a Baha’i family who believed in
World Peace and in the Equality of Women & Men. I was also lived in Iran
during the late Shah’s regime, which was relatively more advanced comparing to
the present regime in Iran. Under the Shah, women and girls were perfectly free
to wear, or not to wear, the CHADDOR ‘VEIL’. During his reign, women
successfully administered public affairs. We have had women ministers,
secretaries in the cabinet, women ambassadors, female judges and university
professors; women have been elected as heads of municipal councils, deputies and
senators. They have also played a
vital role in the fight against illiteracy and in the Health corps.
To my knowledge
even in today’s Iran there are many
well educated men and also women who are in the work-force, and they are quite
involved in the society. I have female relatives myself who are practicing as
doctors, and other professions in Iran. Yet, I am quite aware that Iran has to
work very hard in order to bring about the kind of a country that once it used
to be and even better.
I believe in
Equal Opportunity for All People in its true sense. I honestly believe that no
nation including USA has accomplished this notion fully, yet. We must admit that
we are all striving to bring more justice to this world. Isn’t it true that as
much as we like to think that we have made it in the West, the history of
America shows that there has never been a woman president. Neither do I recall
hearing of a black person (man or woman) as the president of the United States
of America. Neither do I recall hearing of person from a religion aside from
Christianity as the president of the United States of America. Interestingly
enough, many countries in the East, such as India, Israel, and Pakistan, ... had
and have women in charge of their countries.
Did
you know that over 150 years ago, there was a woman poet in Iran, known as
Tahirih meaning ‘the Pure One’. She was born in Iran (Persia), in 1817. She
was married at a young age, but her strong belief in the equality of men and
women gave her the will to rise and help women to find their fair role in the
society. She was executed in
August, 1852, at the age of thirty-six. At the hour of her death, she said to a
guard: ‘You can kill me as soon as you like, but you can not stop the
emancipation of women.’
So,
in my opinion, DEMOCRACY is a
journey and not a destination. We are all journeying through this path of
democracy, and no one has made it to the finished line, yet.
And
on and on and on....
26.
Do you sometimes feel ashamed of being Iranian?
Bahereh
Never
ashamed, but at times frustrated, and tired of explaining and explaining, and
explaining.
27.
Do you have an Iranian or American passport (or both)?
Bahereh:
At the moment I have none! My Persian passport is expired, and
if I needed to travel anywhere besides Iran, I must get a travel document. I am
not an American Citizen, so I do not have an American passport.
28.
Do you keep up with news in Iran?
Bahereh:
Basically.
29.
Do you celebrate Iranian holidays? Which ones?
Bahereh:
I mainly celebrate Iranian New Year on March 21st, and Winter
Solstice/ Shabeh-Yalda/ The
longest night of the year on Dec. 21st.
And
now, talking about different traditions, I always look for a common denominator
in every thing. For instance, Iranian New Year is on March 21st, the first day
of Spring. The New Year here is Dec. 31st. So what? It still is a Celebration.
So I celebrate more celebrations! I only add more to my life, anything
meaningful and positive. I don’t give up, and I don’t give in! I keep the
good parts of my culture, the parts that after some soul searching, I have come
to the conclusions than are part of my very own personal culture, and I add any
parts of other cultures that are positive and makes my life even better.
I celebrate the spirit and the beauty embedded in all the diverse
holidays and holy days. I celebrate the joy, happiness, unity and peace that
exist in all of these events. They are excuses to remind us how important it is
to be loving, caring and kind to our fellow human beings. I celebrate “The
celebration of light and birth” which is manifested fully in many people’s
celebrations such as Hanukkah “Celebration of Light;” “Winter Solstice”
The birth of Light, The rebirth of the Sun;” Christmas with its
beautiful spirit, wonderfully celebrates the birth of the Holiness Jesus Christ.
The beauty of the Xmas tree and its bright lights embody the life and teachings
of Jesus. Iranian New Year (Naw-Ruz) as the Celebration of Spring with all its
beauty and all its symbolism exemplified and manifested in its seven S’s.
Kwanzza has its own beauty; Chinese New Year’s celebration is exhilarating and
jubilant; so is the Native American Powwow and some other celebrations. I also
celebrate the long time tradition of lighting candles in temples and shrines
throughout the world.
So,
I CELEBRATE LIFE!!!
30.
Are you married to an Iranian?
Bahereh:
No,
I am married to an American. In Feb. 1985, I got married for the first time
(another interesting topic for Americans who love to stereotype is my marriage
for the first time at the age of 38!) to my present husband, Walter Heath who is
from Tulsa, Oklahoma.
31.
Are you active in the Iranian community in the United States? What do you do?
Bahereh:
No,
I am not active in the Iranian Community in the United States. As a matter of
fact, there are very few Iranians who live close to my town, and in my town I am
the only Iranian. But I am in contact with the Iranians as cyber friends, and I
am well informed on many issues.
32.
If you have children, where were they born?
Bahereh:
I
have one child, a 13 years old red-headed
daughter. I named her the most beautiful name I could think of:
SIENNA
MAE! She was born on
Tuesday, Oct. 10th, 1989, in a bright Sunny day in Gravette, Arkansas! She was
born one day before my birthday which is on Oct. 11th, Mehr 19th. Below is the
meaning of my daughter’s name:
Sienna:
1.
a yellowish-brown coloring matter, made from earth containing iron; raw Sienna.
2. a reddish-brown coloring matter made by roasting earth containing iron; burnt
Sienna. 3. a yellowish brown or reddish brown. n.
n.
( It. terra di Sienna, fr. Sienna in Italy.)
An
earthly substance, brownish-yellow when raw and orange-red or reddish brown when
burnt, used as a pigment. It owes its color to oxides of Iron and usually of
manganese.
‘Mae’
in the Persian Language:
-
MAY/MAE>
>MAE
MEANS “WINE” IN PERSIAN LANGUAGE.
IT
IS USED WIDELY IN PERSIAN POETRY SYMBOLIZING THE TRUTH “THE SPIRITUAL WINE,
SYMBOLIC OF INTELLECTUAL FREEDOM”; FOR JUST AS WINE CHANGES THE MOOD AND
TEMPER OF PEOPLE, SO DOES TRUTH CHANGES SOUL.
‘Mae’
in the English Language:
-
The springtime of life; prime; hayday.
-
The fifth month of the year, having 31 days.
33.
If you have children who were born in the US did you give them Iranian names and
did you want them to learn to speak/ read/ write Farsi (or Turkish, Kurdish,
Arabic, Armenian)?
Bahereh:
My
daughter’s name is half Persian. Mae is the Persian part of her name.
‘Mae’
in the Persian Language:
-
MAY/MAE>
>MAE MEANS “WINE” IN PERSIAN LANGUAGE.
IT
IS USED WIDELY IN PERSIAN POETRY SYMBOLIZING THE TRUTH “THE SPIRITUAL WINE,
SYMBOLIC OF INTELLECTUAL FREEDOM”; FOR JUST AS WINE CHANGES THE MOOD AND
TEMPER OF PEOPLE, SO DOES TRUTH CHANGES SOUL.
And
of course I wish for her to learn to speak/ read/ write Farsi. It is hard to do
it because in my community I am the only one knowing Persian language, but I
continue to encourage her to learn more about her Persian culture in general,
simply because it is half of her heritage.
More importantly I try to teach her the essence of Persian culture, and
in a sense I try to teach her to appreciate the essence of all cultures.
34.
How did you raise your children in the context of culture?
Bahereh:
I
did my best to raise her, and continue to raise her as a well rounded
individual. I have tried to empower her and enable her to make good choices in
life, help her to see for herself as opposed to “making” her see.
I have tried to help her, and continue to help her to decide and choose
with open mind, open heart, and open soul. And to encourage her to bring forth
her powers, manifested through the spirit of love, compassion, justice,
fairness, and freedom from all prejudices.
Also, I realize the fact that in this life nobody is a student at all
times and by the same token, nobody is a teacher at all times. Only when one
realizes that we are all teachers and students of life at all times, then we can
benefit from each other simultaneously.
35.
Do you think that your values are Iranian or American?
Bahereh:
I think my main values are based on the Universal Values/ Universality of the ideas based on Universal Truth. At least that what I think my values are. Is too limited for me to see my values as only as Iranian values or as American values.
Sienna Mae Versus Bahereh / The Interview of the
Century!
April
25th, 2002 Pen Argyl, PA
BEING
AN ARTIST IS JUST AN ATTITUDE, SO, BE AN ARTIST: HAVE AN
ATTITUDE!
Bahereh
Nov. 1998 PA
Annual Go To
Work with Mom/Dad Day Grade
6-8
Required
Interview Questionnaire
Student’s
Name: Sienna Mae Heath Grade:
7 Home Room Teacher
Miss. Anderson
Name
of person being interviewed: Bahereh
Khodadoost-Heath
Job
Title: Artist/ Writer/
Educator
Company’s
Name and Location:
Bahereh
Bahereh Khodadoost
ARTIST/ WRITER/ MULTI-CULTURAL EDUCATOR
Dedicated to the Promotion of CREATIVITY & The
ARTS!
Fine Clay Gifts & Calligraphy
Pen Argyl, PA
(610)863-3362
E-Mail: bahereh@HEARTizen.com
Website: www.HEARTizen.com
1.
What are the hours of work?
Bahereh:
Every day for many hours. It is a 24 hour job if you wish.
The job ties The Art of Science, and the Science of Art, together. It is A
heARTs-On A Minds-On, & A Hands-on job if you wish. It required one’s best
tools: One’s IMAGINATION & One’s Enthusiasm, and One’s hands!
2.
How many employees are working for this company?
Bahereh:
Only one person works at this company, and she is Self-employed.
3.
How long have you worked for this company?
Bahereh:
Bahereh has been with this job since 1985. But more often than not, she
had been employed at other companies and other organizations while continuing to
pursue her personal career.
4.
What are the educational requirement for this position?
Bahereh:
One can be trained academically for this job, but it really helps if one is born
with the intuitive talent, then the academic education in the arts and
literature enhances the outcome. I have been blessed with the artistic talent
and I am also educated academically. All I know is I have been artistic since I
can remember. I could just feel it. I always knew that I was an artist, but by
mid the 1980’s, I was certain that this was the route I wanted to take.
Granted, it is not an easy route, but it is one of the most rewarding. By being
an artist, I am more in contact with my true being, and as a result I can make
more difference in the life of people around me, through education and
otherwise. I do believe that having
ART, and having an ARTISTIC attitude is like LOOKING THROUGH A NEW LENS!!! It
helps one to see beyond. It helps one to find more meaning in life. It helps the
individual to connect more with himself/herself, which results in the
understanding of the universe. It
enriches one’s life. It expands one’s horizon, and it gives meaning to life
and everything in it. As an artist, I feel I can make a difference in the lives
of people around me.
5.
Why did you choose this career?
Bahereh: Because
I am insane!!!
It takes a certain kind of personality to stay in the arts, and pursuing one’s
own dream. Perhaps we are insane!!! I think most of us artists, know and feel as
what is really important in life. I, as an artist/writer/ multi-cultural
educator, realize this fact that through Art one can become open-minded and
open-spirited. My approach to teaching is multi-cultural. I teach Art to
educate, and I Educate to teach art. Through Art one can become more open-minded
and open-spirited. My main interest in teaching is to make a positive impact in
the world. If one approaches Teaching “Culturally”,
s/he can touch the lives of a larger group of people, therefore s/he can
help the world become a better
place to live in. My main interest in teaching “CLAY” is to help people by
having first, a minds-on, and then, a hands-on experience, to appreciate LIFE
more fully, enabling them to create a more harmonious and unified world. Only
when an individual understands and values her or his culture, can s/he
appreciate other’s. This teaches respect and bears true self-esteem.
Because
I figured out that through both the visual arts and also the written art, I can
share and convey important ideas with the world, I can bring beauty to the
world, and hopefully I can make a living as well. I also believe that BEING AN ARTIST IS JUST AN ATTITUDE, , it does not matter
so much as what one may choose to do in life, rather how one goes about doing
it. We all have the power to change the world
for the BETTER, and we, esp. the children, the young, and the young in
heart!, are the hope of the future, and hold
the well-being of the world in our hands.
In my view being an artist is not necessarily about
what one does in life (for a living or as a hobby), rather it is about
one’s attitude & outlook on life. It is about how s/he perceives life, and
how s/he approaches something, and how s/he goes about it.
I
believe that life has many dimensions, and all aspects of life are a chain
reaction, all blending and coming together at different times in life. When
pursued with integrity, this basic principle is applied at all times, good
results prevail, and the outcome will be fine, no matter what medium is chosen
for producing the work. That is basically my approach to teaching in general; it
is not that important as what you teach, rather how you teach, and how you get
the point across.
6.
What are some of the important duties in this position?
Bahereh:
It is a very involved position. Design and production of limited edition and
one-of-a kind clay objects, including coil, slab, and wheel-thrown techniques.
Also, design and production of hand-pressed and slip-cast bas-relief and hand
decorated terra cotta tiles.... So, it is about making my quality artwork,
finding market for the arts, PLANNING, doing shows, buying materials, working on
the computer for corresponding, and maintaining the info. on my website, etc...
Additional responsibilities are accounting, billing, filing, and PR.
7.
Does this position require any special tools, equipment, uniforms, etc. What are
they?
Bahereh:
In this job, for my clay work, I need clay & glaze material, plaster to make
my molds, or carve into the plaster for stamps or models, and all the pottery
tools & carving tools, kiln, etc.... Occasionally I wear apron, but most of
the time I work without wearing an apron. For my calligraphy work, I use quality
paper, ink and calligraphy pens. I use the computer for my writings related to
my artwork, or when I write articles related to Social Issues, Language issues,
or Art issues. Also, I maintain the info. on my website.
8.
What do you like most about your job?
Bahereh: The act of CREATIVITY!
9.
What is the chance for promotion in this current position?
Bahereh:
Very funny!!! It is all in my hand, the harder I work, the smarter I work, the
more I connect my imagination with the world, the better I do in terms of
personal satisfactions & rewards and finances too. There is a lots of
psychology involved in my business as well, and a sense of PR really helps, and
I am developing it as I go along.
10.
What would you change about your position and why?
Bahereh:
I do not wish to change anything about my position at this point. I really like
to be self-employed, and independent. I need to expand my market, and that is
what I am working on a lot, lately, while producing lots of new artwork, and
continuing with the old lines of my work as well.
11.
What is the average salary of a person in this position?
Bahereh:
Oh, again, very funny!!! There is no set salary in this position, and the income
changes from one month to the next, and that’s is the hardest part of being
self-employed. One must learn how to manage the money, and how to balance out
everything. For instance I may make good amount of money one month, but if I
don’t be careful and I spend it all up I may not have enough money to pay my
bills next month. So, I am always careful as how to go about spending money.
Many times I take on other jobs, such as Art Residencies, working at Fine Art
Printing, and a variety of odd jobs to supplement my income.
So
the intersection between art and making a living is for ONE to have RICH
PARENTS?! I AM JUST A FRUSTRATED
ARTIST! SO LEAVE ME ALONE!
Seriously,
I do believe that there is an intersection between art and making a living. One
has to believe in herself/himself, one has to produce some quality and
meaningful work, work of integrity,
and above all one has to believe in the PURSUIT! One has to educate
herself/himself about the market, learn what to produce, and whatever is
produced, learn how/where to market it. It means while staying TRUE to yourself,
True to your dreams, and to your artistic endeavors, one should stay tuned (it
does not mean to conform) himself/herself with the need of the society. Then
once s/he figures out what to produce, pursue it in a consistent, and systematic
manner, and have Continuity in the Work Itself! The production and the marketing
should go hand-in-hand. Then, s/he needs to stay tuned enough to the market to
know when to switch the work to a new line of work, or simply introduce a new
item to the market, while keeping up with the previous one (s). First s/he needs
to saturate the market with one line of work, get enough mileage from one line,
before introducing the second one. It means that one should not wait too long,
and by the same token, s/he should not rush into introducing the next line to
the market. If one waits until the market is overly saturated with that one type
of work, before starting on the new line, it might be too late to stay in the
market. If one rushes to introducing too many different lines of work to the
market, it may confuse the market, instead of helping it.
It
would be extremely hard for An Artist who lives in seclusion to become a
successful person, financially. S/he needs to learn the art of PR. Working for
yourself, working for your passion, working for art, requires a great deal of
planning. It requires discipline, it needs to have consistency, and....
An
Artist, has to have a DREAM, has to have Passion for his/her work, and has to
have Passion for her/his DREAM. S/he can reach for the stars, but first s/he
should break the main goal into smaller goals, have a plan, and step by step,
systematically using the right strategy, and achieving the goals. Eventually the
big goal can be achieved, or get close to!
I
would like to use art to keep my SOUL ALIVE! To bring some understanding,
beauty, and harmony (and some harMONEY!) to the world. To reach a larger
population of people esp. CHILDREN; helping them to connect and stay in contact
with their inner being, and stay in contact with their best tools, their
IMAGINATION! I want them to know that they have the right in believing in
themselves, and in stretching their imaginations as far as they can, and being
limited only by their own imaginations and nothing else. They should be
encouraged to DREAM, and pursue their dreams, and make their dreams realities!
12.
Does your company offer you any fringe benefits such as health benefits, dental
life insurance?
Bahereh:
Usually when I have Health Insurance it is through other jobs I have done, and I
may do for other companies, or through my husband’s job. Health Insurance is
quite expensive when one is self-employed, and most of the times I cannot afford
to have it with my personal job. It is hard!
In
other words, a Self-Employed artist is better stay Healthy! That’s basically
what I have done eversince I have decided to become a fool/ full-time
self-employed artist!!!
*********
April
25th, 2002 Pen Argyl, PA
Dear
Daughter, Sienna Mae,
Thank
you so much for interviewing me, and make me a CELEBRITY! I hope next interview
be in TODAY SHOW!
I
know my answers to your questions became tooooooooo, tooooooooo looooooooong! Do
as you can with them! PUBLISH A BOOK!
Thanks,
and good luck or good lock!
I
bet you are not going to interview me again!!!
Mom
Bahereh
*********
“FINDING THE ARTIST
IN ‘U’”
Who is an Artist
Who is Not?!
Perhaps Everyone!
Perhaps Not!
I am an artist,
So R U.
I have IMAGINATION,
So do You!
If I can THINK,
So can ‘U’.
If I create,
You can too!
Put all you’ve got together,
That is ‘U’.
Unique & Special
as
I am too!
Bahereh Khodadoost
Copyright Oct. 28, 1998
PA
P.S.
Don’t forget
that that there is an artist in the EARTH (eARTh), and there is
an artist in every HEART (heART)!
All one needs
is, believing in herself/ himself, or having a strong belief, and pursue it in a
creative fashion.
*****
“ WHO IS AN ARTIST?! “
The answer to this question is as easy as it is
complex. Every body has to find his/her answers to it.
In my view being an artist is not necessarily about
what one does in life (for a living or as a hobby), rather it is about
one’s attitude & outlook on life. It is about how s/he perceives life, and
how s/he approaches something, and how s/he goes about it.
I regard many people as artists just because of their
attitude towards something that they do. It is about how one plants a seed, and
how one cultivates it. It is about how one shares what s/he has cultivated with
others. It is about a creative attitude. One can be just as creative in cooking,
gardening, writing, sculpting, etc...as one is in painting. And in life we are
all creators, because we all create our environment, individually and
collectively as well. The challenge is in harmonizing our efforts in order to
have a more harmonious, and pleasing world.
Bahereh
March 1998 PA
Copyright 1998
P.S.
Ivy
Versus Bahereh / The Interview of the Century!
Mon,
03 Dec 2001
Dear
Bahereh,
Here are some questions that i come up with. feel free to extend or
elaborate on any question that you fancy. haha...it is a 10 pg. paper ;-)).
IVY:
1- Can you describe some obvious diferences in Iranian culture vs. american ?
example-how does family traditions differ. What is the overal comparison of
American Society and the society you gre up in, especially being a woman.
IVY:
2= How was coming to the USA a culture shock for you? was it at all? Are there
some obvious differences that you can remembr? How were you able to still keep
your own personal culture intact and not lose yourself to the extreme American
culture?
IVY:
3- Did you notice a major difference in the amount of freedom the USA offered
you and the freedom you had in your native country? Was there a difference in
the way you were treated as an individual woman in your country and treated as a
woman in the usa..
IVY:
4- Did you ever feel pressured to "embrace" and blend with american
culture? How do you balance your own personal culture and the usa culture?
IVY:
5- Having a child, how do you balance out your own culture and cultural
traditions with Sienna, who is and has been raised in the United States all her
life.
IVY:
6- This is basically the running theme in this paper. if you can come up with
anything else feel free.
Hi
POISON Ivy!!!
Thank
you so much for interviewing me, and make me a CELEBRITY! I hope next interview
be on the TODAY SHOW!
I
know my answers to your questions became tooooooooo, tooooooooo looooooooong! Do
as you can with them! PUBLISH A BOOK!
Thanks,
and good luck or good lock!
I
bet you are not going to interview me again!!!
Bahereh
P.S.
At the end I have added my article that I wrote shortly after Sept. 11th
Tragedy. Feel free to add anything from this article to your paper as
well.
*** These
questions are too complex, and there is no easy answers! So these are my complex
answers!
Bahereh:
It is the circle that unites us all!
Women!
My
name is Bahereh Khodadoost. My first name is fairly unusual even in my country,
Iran. Bahereh means shiny, clear. My last name is my father’s last name, given
to me at birth. Khodadoost is a compound word, consisting of two words, Khoda
meaning God, and Doost meaning Friend. The equivalent to this word in
English (OLD) is Godfrey. According to The Catholic Encyclopedia, the etymology
(origin) of the word “God” is: Anglo-Saxon God;
German Gott; akin to Persian khoda;
Hindu khooda. I am a writer,
an educator, and an artist. I
believe that:
BEING
AN ARTIST IS JUST AN ATTITUDE, SO, BE AN ARTIST: HAVE AN
ATTITUDE!
I
was born in the Middle East, I was born and raised in Iran. I was raised in a
loving, well educated, and open-minded family. My mother was an educated mystic,
and very much involved in music, poetry, and literature. My father was a
self-made man, and well educated. They both were true humanists who were one of
the most honest, trustworthy, loving, compassionate, and well-respected
individuals. They taught their children not only through their words, but
through their deeds. Because of my mother’s loving personality, and my
father’s high position in society, and above that because of their religious
belief in universal peace and the unity of peoplekind, we as a family had many
opportunities to meet and get acquainted with people from other cultures, in our
childhood all the way to adulthood. As a young child, we learned and observed
the commonality existing in different people. We learned that despite the fact
that there are so many languages in the world, in reality there exist only two
major languages, which can be classified as:
- The language of
Love and Peace
- The language of
Hate and War
It simply is up to
each individual to use his/her common sense, and choose one of the above
languages.
Any way, the first language I learned to speak was called:
PERSIAN or Farsi language.
“PERSIAN” is a branch of the
Indo-European Languages. It is divided into: OLD PERSIAN, the language of
ancient Persia, written in cuneiform characters, and closely related to the
language of the Avesta; MIDDLE PERSIAN, including chiefly PAHLAVI and PARSI; the
Iranian dialect of the Parsi religious literature, and MODERN PERSIAN (or
Iranian) dating from about the 9th century, in which the greatest of Persian
literature is written, it contains many Arabic loan words and is written in
Arabic script; yet in its grammatical structure and its basic vocabulary Persian
remains Indo-European, hence quite unlike Arabic.
“PERSIA”/”IRAN”
- A country in SW Asia, south of Caspian sea. Its name was officially changed to
Iran in 1935.
The
last time I left my country, it was in April 1979. I had graduated from college
with a degree in English Literature in early 70’s. I was back to University
working on my Master’s degree in Library Science when the Revolution started.
I ended up at University of Ga. pursuing a degree in Comparative Literature in
Fall 1979. Later on, I studied mainly Art in Missouri, Kansas, and
finally in Alfred, New York. I find Art and Poetry inseparable
from each other, because they both touch the
soul of a human being.
My
work is greatly inspired by my life long exposures to diversity, from which I
have applied my unified approach.
The
fact is that every culture is multi-faceted, and there are many cultures within
every culture. Like every other
place on this Planet Earth, there are fanatics, reforms, liberals, and
many others in between living in the country of Iran. I know that there
are many, many educated, peace loving people, men and women who lived in Iran
during my living there, and I know that there are many more educated men and
women who live there as I am writing these lines. In many of Middle Eastern
countries like my country of Iran, which are considered Muslim countries, yet
there are a large numbers of adherents to other religions live in those
countries as well, such as Baha’is ( I am a member of this religion),
Christians, Jews, Zoroastrians, etc...
Although
I realize that there are some differences between cultures, but for instance as
a woman I have not been treated differently in Iran or in America, may be
because I have always known my RIGHTS! I have always believed in EQUALITY in its
true sense. I believe that We (the Americans) are only considered the luckiest
people in this world, simply because we have the best tools (meaning the people
of diverse origins) to create a world based on UNITY THROUGH DIVERSITY. Even in
today’s Iran, as backward, and as awkward as the situation appears to be, we
need to remind ourselves that Iran is a mosaic of many tribes and nationalities
with different cultures and traditions. They are real people, many intelligent,
decent, and well-rounded human beings who live beneath the gloomy surface of
Iran (under the present government), whose negative images are reinforced
through the media, especially in the eyes of a westerner. I, personally have no
doubt in my heart, in my soul, and in my mind, that Iran will become prosperous
again.
I have not had the opportunity to be back to Iran since I have
left my first Homeland in the Spring of 1979. On 1985, I got married for the
first time at the age of 37 to an American artist, Walter. Someday, I would
like to go back to my homeland, and share its beauty with my husband,
Walter, and with my daughter,
Sienna Mae. I have many fond memories
from my growing up in Iran. These memories are cherished, forever, in the
chamber of my heart, and in the deepest part of my mind, as long as I live.
“A lovely tune played the musician of love.
The tunes played, came from Heaven above.”
- Hafez, the mystic Persian poet
As
a HEARTizen (I wish to be one!), any where life beckons me, is HOME. Yet, I
cannot deny my special love for where I was born and raised, IRAN/ PERSIA. The
piece of land we call Iran has been there for a long, long time, and it will
stay there long after all of us are gone. However, the real Iran will never die.
No nation is just a piece of land.... The true Iran is the one we carry in our
hearts and our minds, it is our culture, our traditions, our language, our
people ... as long as we carry our memories in our hearts, as long as we
preserve the beauty of our nation, share its culture with others, and learn new
things to make it better, we never have to worry about Iran perishing..... I do
believe that regardless of some differences of opinion's among people, we all
have one thing in common, and this is the 'Love' that we all carry in our
hearts! Our Love for our Motherland, is a testimony to this claim!
Always remember that the true part of the Culture, NEVER dies. The Arts, and the
Literature will exist forever! The Love Songs will never cease to exist, no
matter what!
Although I have
lived in America for over 22 years, and I am grateful for the positive
experiences I have had here; my response to frequent remarks from many
Americans, has always stayed the same:
- “Aren’t
you fortunate that you live in America?”
- “For your
information, I was fortunate even before I came to America. I was blessed for
having the type of parents that I
had. I am grateful for the type of personality that God had granted to me. I am
appreciative for .... The list can go on and on.”
As a woman, I
was born and raised in Iran. I was born in a Baha’i family who believed in
World Peace and in the Equality of Women & Men. I was also lived in Iran
during the late Shah’s regime, which was relatively more advanced comparing to
the present regime in Iran. Under the Shah, women and girls were perfectly free
to wear, or not to wear, the CHADDOR ‘VEIL’. During his reign, women
successfully administered public affairs. We have had women ministers,
secretaries in the cabinet, women ambassadors, female judges and university
professors; women have been elected as heads of municipal councils, deputies and
senators. They have also played a
vital role in the fight against illiteracy and in the Health corps.
To my knowledge
even in today’s Iran there are many
well educated men and also women who are in the work-force, and they are quite
involved in the society. I have female relatives myself who are practicing as
doctors, and other professions in Iran. Yet, I am quite aware that Iran has to
work very hard in order to bring about the kind of a country that once it used
to be and even better.
I believe in
Equal Opportunity for All People in its true sense. I honestly believe that no
nation including USA has accomplished this notion fully, yet. We must admit that
we are all striving to bring more justice to this world. Isn’t it true that as
much as we like to think that we have made it in the West, the history of
America shows that there has never been a woman president. Neither do I recall
hearing of a black person (man or woman) as the president of the United states
of America. Interestingly enough, many countries in the East, such as India,
Israel, and Pakistan, ... had and have women in charge of their countries.
Did
you know that over 150 years ago, there was a woman poet in Iran, known as
Tahirih meaning ‘the Pure One’. She was born in Iran (Persia), in 1817. She
was married at a young age, but her strong belief in the equality of men and
women gave her the will to rise and help women to find their fair role in the
society. She was executed in
August, 1852, at the age of thirty-six. At the hour of her death, she said to a
guard: ‘You can kill me as soon as you like, but you can not stop the
emancipation of women.’
I
have to admit that coming to the USA was not a culture shock for me. It was
somewhat different from what I was accustomed to, but not different enough to be
a culture shock. On the other hand, most of my life, I as an individual, have
always been somewhat shocked no matter where I lived! You may consider me a
misfit! Although I fit just fine in my own body! And I am very comfortable with
this arrangement! I have always been free as a woman and as a human being,
because I believe in the freedom of the spirit. I have not been treated any
differently as a woman in America comparing to the way I was treated in my
country of Iran. Unfortunately in this world, many forms and degrees of
discrimination exist. It is usually based on ignorance, assumptions, and
arrogance. Discrimination is wrong. There is no justification for it. As a
woman/foreigner in this country (United States of America), I have experienced
being targeted to many forms of attempted discrimination. I call it attempted
discriminations, because all my life, I have always known my rights as a human
being, I always have stood up for them, and I will continue to do so.
Discrimination exists in any given society, if you allow it to impact your life,
it will. but if you know your rights, you would not let it to impact your life.
I
must say that I never felt pressured to “embrace” and blend with American
culture, and it has been pretty easy for me to keep my Persian Culture while
adding some parts of the American Culture to it. I have done this by sharing my
culture through the means of friendship with others, and I have stayed open to
what other cultures had to offer to me. Having a child, or not having a child, I
have tried and continue trying to live a balanced life. But I must admit that
having a child has encouraged me to celebrate my culture along with the culture
of my second homeland more fully. My intention has always been to be a
well-rounded human being, and I wish the same for my daughter, as well. So, I
have tried and continue trying to expose her to variety of positive experiences,
and the exposure to the essence of Persian and American Cultures are no
different. I don’t find it that hard to balance both cultures, because in
their essence are the same, and since we don’t have hardly any Iranians in our
town to share the Persian parts of the culture with, we happily celebrate it
with our other friends from different walks of life, esp. the ones that we
consider our Kindred Spirited friends.
I
strongly believe that one must strive to get along with people. This does not
mean conforming. It means that one should get along with others but not to the
extent of loosing her/his identity and his/her main values in life. Occasionally
I have felt that in American society like any other society, there are some
untold expectations, such as the desire to encourage one to conform, perhaps by
conforming, it makes life easier for every body. For instance if you as a
foreigner changing your name to a more familiar name, or if you pretend that
your culture has nothing to offer, etc, etc, most people feel more comfortable
to be around you. But for instance,
I have decided that although I have nothing against anyone’s name, but I wish
to maintain my given name by my parents. At first, it makes some Americans
uncomfortable, but after a while they
are eased into pronouncing: Bahereh Khodadoost. They often say: What do you want
us to call you?! I smile and I say: You can call me anything! But if you wish my
responding to you, then you better call me by my own name!
And
now, talking about different traditions, I always look for a common denominator
in every thing. For instance, Iranian New Year is on March 21st, the first day
of Spring. The New Year here is Dec. 31st. So what? It still is a Celebration.
So I celebrate more celebrations! I only add more to my life, anything
meaningful and positive. I don’t give up, and I don’t give in! I keep the
good parts of my culture, the parts that after some soul searching, I have come
to the conclusions than are part of my very own personal culture, and I add any
parts of other cultures that are positive and makes my life even better.
I celebrate the spirit and the beauty embedded in all the diverse
holidays and holy days. I celebrate the joy, happiness, unity and peace that
exist in all of these events. They are excuses to remind us how important it is
to be loving, caring and kind to our fellow human beings. I celebrate “The
celebration of light and birth” which is manifested fully in many people’s
celebrations such as Hanukkah “Celebration of Light;” “Winter Solstice”
The birth of Light, The rebirth of the Sun;” Christmas with its
beautiful spirit, wonderfully celebrates the birth of the Holiness Jesus Christ.
The beauty of the Xmas tree and its bright lights embody the life and teachings
of Jesus. Iranian New Year (Naw-Ruz) as the Celebration of Spring with all its
beauty and all its symbolism exemplified and manifested in its seven S’s.
Kwanzza has its own beauty; Chinese New Year’s celebration is exhilarating and
jubilant; so is the Native American Powwow and some other celebrations. I also
celebrate the long time tradition of lighting candles in temples and shrines
throughout the world.
So,
I CELEBRATE LIFE!!! Continue reading, because there is more food for thought:
“FOOD
FOR THOUGHT/WOMEN’S RIGHTS”
We
live in a world today that for the most part, still is male oriented. This claim
is quite apparent even in the vocabulary of most existing languages. Once I
started researching and criticizing it in the English language, I became aware
that even in my native language (PERSIAN) which does not have HE or SHE, one
still can sense the use of expressions and vocabularies that express the male
dominated, somewhat sexist environment.
-
Since I came to this country in 1979, many times people have asked me if I write
BACKWARDS when I write in my native language (PERSIAN). My answer to them has
always been and still is NO! I don’t write BACKWARDS, rather I write from
right to left.
- My personal
experience with some westerners, especially Americans, has been that they think
they have the authority to criticize, to stereotype, and to belittle other
groups of people; as if they have already solved all the problems in their own
society! How can we as Westerners of the Latin based languages criticize
everybody else, when we have not yet brought fairness, justice, and equality in
our daily language?! (I include myself, because I have a multi-cultural
attitude, and I consider myself a world citizen). Isn’t it true that in these
languages even the perception of our God, which should simply manifest and
represent “LOVE”, is male?! Isn’t it true that in French and Spanish
languages, the word “God” has a masculine article attached to it: “Le Dieu”,
“El Dios”.
-At
the end, I would like to draw your attention to the predominant use of the
pronoun HE. Did you know if one really ponders upon the HE and SHE pronouns,
they may find out that the word HE lives in SHE(S/he), and is part of it! So if
one feels compelled to use only one pronoun when addressing both sexes, I
suggest using the pronouns SHE as opposed to the pronoun HE. Otherwise the best
is using both pronouns: he or she, she or he, or simply s/he that reads as both
pronouns.
Have
you ever noticed that the above statement is also true with the nouns MAN and
WOMAN. So if one feels s/he must use only one or the other, I suggest the use of
the word WOMAN over the MAN. For example, in the following expression: “Peace
on Earth for All Men!” The word WOMAN can replace the word MEN. Otherwise I
personally prefer to use the word “PEOPLE” which it covers both sexes. So,
it may read as follows:
“Peace
on Earth for All PEOPLE!”
- Let us admit
that we are all striving to bring more justice to this world. Isn’t it true
that as much as we like to think that we have made it in the West, the history
of America shows that there has never been a woman president. Neither do I
recall hearing of a black person (man or woman) as the president of the United
states of America. Interestingly enough, many countries in the East, such as
India, Israel, and Pakistan, ... had and have women in charge of their
countries.
*******************************************************************
The Twin Towers of NYC, A TRAGEDY
Did any one see the angels circling around the Twin
Towers of NYC on Sept. 11, 2001?
A human tragedy
, a Universal Tragedy, the loss of many, many innocent people took place in
front of my very own eyes last Tuesday morning shortly after 9 a.m. on Sept. 11,
2001. Apparently the terrorists hijacked two aircraft
and crashed them along with all the passengers on the planes into the
Twin Towers of NYC. What kind of a beast can do such a thing, no one who has
even an ounce of humanity can cause so much pain. My heart aches ever since the
incident which unfolded on my TV screen that morning. As I watched in complete
shock and horror, as I watched the fire engulfing the Two Towers, and as I
witnessed along with many other people, the
Twin Towers one after the other started collapsing. Oh my God, there were many
people dying, yet simultaneously I saw the angels circling around the Twin
Towers lifting up the spirits of the innocent victims of this horrific crime
under their wings and flew them away to the safety of Heaven. Among these angels
I saw my beloved parents who lived their lives to promote love, compassion and
unity. I realized that the spirits of these victims were gone before the
buildings came to their knees. The victims of the horrific crime, the innocent
people of this tragedy didn’t hit the ground, rather they reached to their
final destination, the Heaven, under the wings of the angels before the building
collapsed. Although the extreme ugliness of this tragedy is still with me and
deeply hurts my soul, and I am deeply saddened by it , but I am
certain that those innocent victims of this terrible and unspeakable crime are
resting in peace in Heaven among the angels of God.
I love the colors of the rainbow, but that morning the whole earth turned
gray in front of my eyes, I could not breath, but the angels came and with them
brought the beauty of the goodness which is embedded in the hearts of most human
beings. Since that day we as a nation, and we as the citizens of the world
community have witnessed more and more goodness coming out of people who care
for the well being of each other. The same fire that destroyed so many, purified
our souls, and united America, and all
the humanists all over the world. That morning I felt that I as a member of the
world society lost all my children, brothers and sisters,
my parents, and all my relatives all at once. Now, I tell myself that I
should do something besides crying which I have done plenty in the past few
days, I have lit candles, and I have done lots of praying for the relatives of
the victims, and for Humanity as a whole. I have prayed and continue working
towards a world of love and compassion, and above all towards a just society as
a whole.
It is the circle that unites us all!
Sincerely,
Bahereh
Sept. 15, 2001
Pen Argyl, PA
Ivy
Versus Bahereh / The Interview of the Century!
Jan.
26, 1999 PA
Dear
Ivy, Hello!
Below
is an explanation of the word Hell’o’ from a CRAZY EYErainian
woman’s perspective (please do not forget that this is only a JOKE!):
DO YOU KNOW WHY IN THE WORLD, THE GREETING WORD IN
THE ENGLISH LANGUAGE IS: HELL’O’
as opposed to HEAVEN’O’?!
As an Iranian (Persian), or as some of you call us
EYErainian, I have wondered, and still do wonder about it. So, please if you
have a good answer to the above question, simply send it to Bahereh@wyndows.com
or call (610)863-3362. This is just a joke!
Is the origin of the word Hello: Hallo/Halloo/Hollo,
or is it simply Hello? If it is Hell’o’, then, my Iranian New Year’s
resolution (March 20, 1998, 1377 Iranian Calendar) is to start greeting people
by saying Heaven’o’ as opposed to saying Hell’o’! This is also a joke!
Thank You,
Bahereh
March 20,1998 PA
Copyright
1998
*******************
BEING
AN ARTIST IS JUST AN ATTITUDE, SO, BE AN ARTIST: HAVE AN
ATTITUDE!
Bahereh
Nov. 1998 PA
*******************
Below
are my Answers to your Questions, we may call it: SOME ANSWERED QUESTIONS!:
1.
Where/when were you born?
Bahereh:
I
am not going to answer this question. For one, it is none of your business
where, and especially when I was born! Now putting all the jokes aside,
although we can start a new joke, there it goes:
#1. Back then, when I was born, in that part of the world, there was no
birth certificate, in fact, there was no clocks, in fact, there was no time
zone, therefore I don’t know when I was born!
#2. Back then, in my country
of Iran that many of you pronounce it EYEran, we did not have MAPS, therefore,
we did not know where we were born!
Now,
that I gave ‘U’ enough hard time, here are my less crazy answers to the same
question:
-
I was born in Iran a very looooooooooooooooooong time ago! I grew up like a
weed, but a very short one! I am 5 foot 3. I was born in my mother's hometown of Kerman in 1946. I was about 6 months old, when my mother
brought me to Tehran, where my father came from and where my parents already
lived. I grew up mostly in Tehran,
in a loving, well-educated family. My mother was an educated mystic, so
was my grand-mother. They both had a great love and talent for music and
literature. My father was a self-made educated man who was raised by his mother
who became a widow at a young age. My paternal grandmother had a strong
personality, and managed to raise 3 children on her own.
My father held high positions in the society, and was well respected by
family, friends, and strangers alike. My parents taught us life. I remember them
both as, loving, caring, and fair-minded people. They taught us not only through
their words, but through their deeds.
I have not had the opportunity to be back to Iran since I have
left my 1st. Homeland in the Spring of 1979. I hope someday I will get a chance
to go back home, and take my American husband who adores Persian Art and
Architecture, and my dear daughter Sienna Mae, with me. I have many fond
memories from my growing up in Iran. These memories are cherished, forever, in
the chamber of my heart, and in the deepest part of my mind, as long as I live.
2.
When did you first realize your love for art/pottery existed?
Bahereh:
My
answer to the first part of your question is:
I
don’t have a definite answer for THE time!
It
might have been as a child, watching my [dear] mother read us a poem, or show us how to shape pastry with simple, flowing, and uniform
pinches. Maybe it was looking at the structures, and designs in my grandparent's
yard. Or when I was first introduced to music, and nature. I don't really have a
definite answer. All I know is I have been artistic since I can remember. I
could just feel it. I always knew that I was an artist, but by mid the 1980’s,
I was certain that this was the route I wanted to take. Granted, it is not an
easy route, but it is one of the most rewarding. By being an artist, I am more
in contact with my true being, and as a result I can make more difference in the
life of people around me, through education and otherwise.
I do believe
that having ART, and having an ARTISTIC attitude is like LOOKING THROUGH A NEW
LENS!!! It helps one to see beyond. It helps one to find more meaning in life.
It helps the individual to connect more with himself/herself, which results in
the understanding of the universe. It
enriches one’s life. It expands one’s horizon, and it gives meaning to life
and everything in it.
SACREDNESS is
the way one feels when s/he lives in harmony with nature; then every crop, every
grain can become Sacred! It is the essence embedded in every leaf, every rock,
and every river. Sacredness is the reality in every human being.
Bahereh
‘97
BEING
AN ARTIST IS JUST AN ATTITUDE, SO, BE AN ARTIST: HAVE AN
ATTITUDE!
Bahereh
Nov. 1998 PA
Everyone
is creative. We create our lives. Unfortunately, I don't see creativity
encouraged in the education system the way it ought to be. Our children lose
their creativity. An individual's imagination, (one’s best tool), needs to be
nurtured. Every positive thing in life, occurred from an individual's dream. I
was certain that art was the dream I wanted. It is not easy but very rewarding.
As an artist, I feel I can make a difference in the lives of people around me.
My
answer to the second part of your question is:
Needless
to say, my first connection with this medium (CLAY) was
positive. I have always thought myself an artist. (professionally since
1985). It was Oct. 1984, when I met my husband Walter Heath at a Raku Firing
workshop in Tulsa, Oklahoma. At the time I had limited experience with clay, but
knew I loved working with it. I became involved with clay after we married in
1985.
To
me, CLAY has a timeless quality. Working with CLAY spiritualizes that quality
within a person, and as the result carries a sacred and eternal message, SACRED
as time immemorial. Once this process takes place, and this wonderful quality
translates itself in the work, it gives SOUL to the finished work, yet every one
of these clay pieces seems to possess its own SOUL. This can be experienced in
many different ways; although I have experienced it more fully in the MAKING of
the coil-pots.
It’s hard to describe, you have to experience it for yourself.
Perhaps
I am insane!!!
3.
Where did u recieve your education?
Bahereh:
I
(Bahereh Khodadoost) am an artist/ writer/ multi-cultural educator, and a
rostered artist. I have been a professional
clay artist since 1985, grew up in Iran, and moved to this country in 1979, with
a degree in Literature.
I have studied primarily Literature and Art in various schools in
America, such as: ALFRED UNIVERSITY (NY), PITTSBURG ST. UNV. (KS), UNV. OF GEORGIA,
CROWDER COLLEGE (MO). My clay work reflects my background and varied
interests. My work is greatly inspired by my life-long exposure to diversity,
from which I have applied my unified approach. I don’t consider myself purely
a Persian artist, but a multi-cultural artist influenced by my background. You
find an essence of Persian art and culture in my work, but my work does not
present itself as Persian art. It is a marriage between East and West.
I
believe in the unity, beauty,
purity, and the universality of the Rainbow & the Butterfly,
and what they represent. I believe that we are all connected to Nature;
we share its forms, shapes, colors, textures, and its essence/ its spirits,
FLIGHT!
Professional
clay artist since 1985. Rostered
Artist. Conducted Clay & many Art & Culture Classes in studio and in
various schools. Writer of several multi-cultural related articles.
I
have a multi-cultural attitude with a unified approach. I find common
denominator in various subjects.
Working with Clay is only an extension of what
I do, and does not dictate what I have tried to accomplish in life:
Making positive changes in the society. My main interest in teaching
“CLAY” is to help people by having first minds-on, and then hands-on
experience, to appreciate LIFE more fully. Only when an individual understands
and values her/his culture, can s/he appreciate other’s. As a creative person
and a writer, I have always been aware of the importance of the preservation of
individuality and creativity.
My
husband and I own Ginger Blue Clay Art Studio in Pen Argyl, PA
(610)863-3362
(Studio)
E-Mail: bahereh@wyndows.com/
Website: www.wyndows.com/gb
4.
When/why did you come to America?
Bahereh:
-
It is a very looooooooonnnnnnnnng story! Do you have time to hear it?!!!!!!!!!!
-
I was born in Iran(Persia). I graduated from Pars College in Tehran with a B.A.
in English Literature, in 1972. After a few years of working, and traveling, I
decided to pursue a Master’s degree. I enrolled at the Graduate School at
Shiraz Pahlavi University in Shiraz, in 1978. I was pursuing a degree in Library
Science. It was then when Iranian Revolution started. I ended up leaving Shiraz,
I came to Tehran where my parents lived. After a few months, it was April 1979,
when I left Iran for Europe, and a few months later, I landed in the USA. I
became a graduate student at the University of Ga. from Fall 1979-Summer 1981,
majoring in Comparative Literature. From there I ended up in Springfield, Mo. I
went to cosmetology school, and I became a hair-stylist. I worked full-time, and
part-time in that field for a few years. By 1984, I found myself, living in
Tulsa, Oklahoma. It was in Tulsa, when I met my husband and the rest is HISTORY!
Or may be the rest is HER STORY! Below
is her story:
- We got married on Feb. 2, 1985, and I moved to Ginger Blue,
Mo. where my husband lived (This means that Feb. 2, 1998, was our 12+1 Wedding
Anniversary! * 12+1 is only a joke, because I am not superstitious, nor I am
prejudice, rather I like all numbers from number 1 all the way to
10000000000000000000. Only when it comes to my pay check, the more zeros the
better!!!). While working as a hair stylist, and a book-keeper, etc..., I became
very involved in the art world. By 1986, we found ourselves in Pittsburg State
Univ. in Pittsburg, Ks. pursuing more education in the art field. By Fall 1987,
we found ourselves in Alfred, N.Y. at Alfred Univ. pursuing more art. By Fall
1988, we were back to Ginger Blue, Mo. We lived there from 1988-Summer 1992.
During those years, we worked as individual artists and designers, plus any odd
jobs possible trying to make the ends meet. By then we also had our daughter
Sienna Mae who was born on Oct. 10, 1989. In the Spring of 1992, we got a job
offer from a company in Pa. with a show-room in New York City. We ended up
moving to Pen Argyl, Pa. to work for that company while pursuing our own
individual artistic pursuits. To make a long story short (or longer!), after a
year and a half (by the end of
1993), the company closed, but we ended up staying in Pen Argyl, Pa. By that
time, we had our own studio in Pen Argyl. That is the end of the story, that is
why we are still living here!
It
takes a certain kind of personality to stay in the arts, and pursuing one’s
own dream. Perhaps we are insane!!! I think most of us artists, know and feel as
what is really important in life. I, as an artist/writer/ multi-cultural
educator, realize this fact that through Art one can become open-minded and
open-spirited. My approach to teaching is multi-cultural. I teach Art to
educate, and I Educate to teach art. Through Art one can become more open-minded
and open-spirited. My main interest in teaching is to make a positive impact in
the world. If one approaches Teaching “Culturally”,
s/he can touch the lives of a larger group of people, therefore s/he can
help the world become a better
place to live in. My main interest in teaching “CLAY” is to help people by
having first, a minds-on, and then, a hands-on experience, to appreciate LIFE
more fully, enabling them to create a more harmonious and unified world. Only
when an individual understands and values her or his culture, can s/he
appreciate other’s. This teaches respect and bears true self-esteem.
5.
What/who has been your main influences in your art?
Bahereh:
“The
Answer to This Question is: I DON’T KNOW!/ I AM NOT SURE!”
It
might have been as a child, watching my [dear] mother read us a poem, or show us how to shape pastry with simple, flowing, and uniform
pinches. Maybe it was looking at the structures, and designs in my grandparent's
yard. Or when I was first introduced to music, and nature. I don't really have a
definite answer. All I know is I have been artistic since I can remember. I
could just feel it.
6.
From what do you draw your inspiration?
Bahereh:
My
source of inspiration is, deep deep inside of me; my source of inspiration is
everything around me; my source of inspiration is the way I see LIFE; my source
of inspiration is my ability to see beyond. It is in LOOKING
THROUGH A NEW LENS!!!
“Nature touches the soul of Humanity. It is the
source of Inspiration for all people.
Without Nature there would not be any music, dance,
or poetry.”
“There is a rhythm in ‘Building a LIFE’”
- Bahereh
May 1998 PA
-
I believe that life has many dimensions, and all aspects of life are a chain
reaction, all blending and coming together at different times in life. When
pursued with integrity, this basic principle is applied at all times, good
results prevail, and the outcome will be fine, no matter what medium is chosen
for producing the work. That is basically my approach to teaching in general; it
is not that important as what you teach, rather how you teach, and how you get
the point across.
“FINDING THE ARTIST
IN ‘U’”
Who is an Artist
Who is Not?!
Perhaps Everyone!
Perhaps Not!
I am an artist,
So R U.
I have IMAGINATION,
So do You!
If I can THINK,
So can ‘U’.
If I create,
You can too!
Put all you’ve got together,
That is ‘U’.
Unique & Special
as
I am too!
Bahereh Khodadoost
Copyright Oct. 28, 1998
PA
P.S.
Don’t forget
that that there is an artist in the EARTH (eARTh), and there is
an artist in every HEART (heART)!
All one needs
is, believing in herself/ himself, or having a strong belief, and pursue it in a
creative fashion.
7.
Has having a child altered or broadened your art?
Bahereh:
Having
a child has definitely broadened my art. It has enhanced my sensitivity to life,
and everything in it. It has resulted in more meaningful, and multi-level
artwork. It had made me to realize more than before that I can learn from a
child just as much or even more than a child can learn from me. This
is the outlook that had helped me to observe more than to act! It has its own
merit! It is in this way of thinking that I have matured, while humbling myself
to look at every individual no matter how big, or how small as a teacher in
life. As a result of this approach the educator learns as much or sometimes more
than s/he teaches. Sometimes the learning takes place if one opens
himself/herself to even the littlest student in his/her care. All one needs to
do is to open himself/herself, and TO LISTEN & BECOME MORE OBSERVANT. With
my wise, yet humble approach I have been surprised many many times in my life.
The purity, the innocence, and the
freshness in an individual brings out some unexpected answers! All one needs to
do is to open his/her inner eyes, and wait for the right moment, It Will Happen!
Yes!
Having a child:
Had
humbled me, and made me realize that if nothing else, at least I can benefit
from watching a child that has an untarnished imagination, and try to see life
through his/her eyes. To let my
imagination soar as a child’s senses- so fresh, so airy, so free, and
as weightless and beautiful as a butterfly, and it leads me in life.
It had made me to recognize the
fact that in this life nobody is a student at all times and by the same token,
nobody is a teacher at all times. Only when one realizes that we are all
teachers and students of life at all times, then we can benefit from each other
simultaneously.
8.
Where is the intersection between art and making a living?
Bahereh:
YES!
HAVING RICH PARENTS?!
“The
Answer to This Question is: I DON’T KNOW!/
HOW DO I KNOW! JUST LOOK AT ME!/ I AM NOT SURE! I DON’T HAVE A GOOD
ANSWER! I AM JUST A FRUSTRATED ARTIST! SO LEAVE ME ALONE!
DO ‘U’ HAVE AN ANSWER TO THIS QUESTION! I appreciate it,
if you have a good answer to this question, tell me, tell me NOW!”
Seriously,
I do believe that there is an intersection between art and making a living. One
has to believe in herself/himself, one has to produce some quality and
meaningful work, work of integrity,
and above all one has to believe in the PURSUIT! One has to educate
herself/himself about the market, learn what to produce, and whatever is
produced, learn how/where to market it. It means while staying TRUE to yourself, True to your dreams, and to
your artistic endeavors, one should stay tuned (it does not mean to conform)
himself/herself with the need of the society. Then once s/he figures out what to
produce, pursue it in a consistent, and systematic manner, and have Continuity
in the Work Itself! The production and the marketing should go hand-in-hand.
Then, s/he needs to stay tuned enough to the market to know when to switch the
work to a new line of work, or simply introduce a new item to the market, while
keeping up with the previous one (s). First s/he needs to saturate the market
with one line of work, get enough mileage from one line, before introducing the
second one. It means that one should not wait too long, and by the same token,
s/he should not rush into introducing the next line to the market. If one waits
until the market is overly saturated with that one type of work, before starting
on the new line, it might be too late to stay in the market. If one rushes to
introducing too many different lines of work to the market, it may confuse the
market, instead of helping it.
It
would be extremely hard for An Artist who lives in seclusion to become a
successful person, financially. S/he needs to learn the art of PR. Working for
yourself, working for your passion, working for art, requires a great deal of
planning. It requires discipline, it needs to have consistency, and....
An
Artist, has to have a DREAM, has to have Passion for his/her work, and has to
have Passion for her/his DREAM. S/he can reach for the stars, but first s/he
should break the main goal into smaller goals, have a plan, and step by step,
systematically using the right strategy, and achieving the goals. Eventually the
big goal can be achieved, or get close to!
I
would like to use art to keep my SOUL ALIVE! To bring some understanding,
beauty, and harmony (and some harMONEY!) to the world. To reach a larger
population of people esp. CHILDREN; helping them to connect and stay in contact
with their inner being, and stay in contact with their best tools, their
IMAGINATION! I want them to know that they have the right in believing in
themselves, and in stretching their imaginations as far as they can, and being
limited only by their own imaginations and nothing else. They should be
encouraged to DREAM, and pursue their dreams, and make their dreams realities!
*****
Dear
Ivy,
Thank
you so much for interviewing me, and make me a CELEBRITY! I hope next interview
be in TODAY SHOW!
I
know my answers to your questions became tooooooooo, tooooooooo looooooooong! Do
as you can with them! PUBLISH A BOOK!
Thanks,
and good luck or good lock!
I
bet you are not going to interview me again!!!
Bahereh
Jan,
26, 1999 PA
Hairy Potters
Presents:
“Gracie Locks, Lawn Worshipers & The Three
ALieN Bears”
Written & directed
by:
Bahereh,
a Proud
FOOL-Time Artist!
Performed by Bahereh, Walter, & Sienna Mae.
Dedicated to the Promotion of
CREATIVITY & The ARTS!
Copyright Dec. 2000! Pen Argyl, PA
Watch out!
An
ALieNLives Here!!!
No, No, No! Three ALieNs Live Here!!!
‘I See Three Hairy Bushy Gorey Potters!’
Once upon a time, in a far away land, in a land of DREAMS, in a small
town, lived a family of strange
visitors from another planet, three Alien Artists who worked quietly with CLAY
in their little studio in the woods, day in and the day out! Their names were:
Papa Bear ‘Walter’, Mama Bear ‘Bahereh’, and Wee little Baby Bear
‘Sienna Mae’.
Their life was wonderful and filled with many wonders, except for the
GRASS! They enjoyed watching the Grass Grow & Grow, and Blow & Blow, but
they had to deal with Gracie Locks who was obsessed with EVENLY SHORT GRASS
which was not very flattering! Every
time they watched the Grass Grow, they had to cut it, but they decided to cut it
in a Flowing Wavy way resembling the waves of an ocean and at times
looking like never-ending flowing of one Giant Spiral following other spirals in
a graduated manner, but then they had to face Gracie Locks! Gracie
Locks would come and Cut their beautifully cut grass to an ugly extremely short
even cut! Then Gracie Locks would worship the Freshly Evenly Cut Grass and would
demand the Hairy Potters do the same! One
day Gracie Locks came and saw the Wavy Flowing Tall Grass and got upset! The
Three Alien Hairy Potters politely asked: Please Kiss My Grass!!!
Many nights they were left out in the yard, outside their studio to
Praise the beautiful freely growing grass verses the Mighty Cut Grass,
and to REFLECT on their lives before and Beyond!
Meanwhile
Gracie Locks, who was only concerned with the height of the Grass, never did
anything in her life except being busy with matters of consequence, the MIGHTY
GRASS!!! But she was not alone, there were many more “Lawn Worshipers’ who
lived in the same town. This group of people spent their entire life mowing
& manicuring their lawn, and more often than not, didn’t even enjoy their
lawn, hardly seen walking or sitting on their lawn. In a word they LIVED for
their MIGHTY LAWN, and the lawn was not for them to enjoy. Some of them, they
even used a pair of scissors & got as close as possible to the ground ‘to
pay homage & respect to the MIGHTY GRASS!’ to trim the grass!
Two/ Too/ To
many of these LAWN WORSHIPERS, if the Grass was 1” tall, it was already
considered too long, or perhaps it was TOOOOOOOOO LOOOOOOOOONG!
That was why the HAIRY POTTERS could not even fathom joining the LAWN
WORSHIPERS! Their interest was living their lives while trying to get along with
others, and trying to make positive changes not only in their lives, but in the
life of the community as a whole, and the community at large.
So, the Saga
was going on and on and on and on....
Then, one night
when the air was crisp, and Fall Season was near, the TRIO departed. The next
day, the PASSERS BY noticed that the three ALieN Papa, Mama, and the Baby Bear
were gone! Perhaps they were gone because their MISSION on Earth was
accomplished & their Mothership arrived overnight and took them back to
their Far, Far Away Planet. What was left behind to carry on with their
Legacy, were a few Alien Seeds, and a Bountiful
Giving Apple Tree ’Pristine’ planted so lovingly by the ALieN Baby Bear. So,
the BEAT CAN GO ON!
So, be assured
that whenever the time of your leaving
comes, you perhaps will
leave IT with many fond memories.
You may feel that you are on your
journey searching for the LIGHT, and you may feel that each time you try
to spread your wings to fly, there is an attempt to clip and chop it away. But,
PLEASE Do Not Give Up in your
journey in bringing some peace & harmony to the world, and you must not!
Focus on the Children! This notion is enough to keep ONE
going and continue in the path. ‘The seeds are planted! And with time,
they will BEAR fruit! It becomes
tangible, and a visual melody, called: HUMANITY will come to Life! And the World
becomes a BETTER place.
Be a strong believer of
Unity in its true sense. Unity that embodies the Essence of Humanity/ The
Essence of All Things. Believe in the unity, beauty, purity, and the
universality of the Rainbow & the Butterfly, and what they represent.
Believe that we are all connected
to Nature; we share its forms, shapes, colors, textures, and its essence/ its
spirits, FLIGHT!
So be filled with the
LIGHT, and go about your FLIGHT! And all
will be fine!
KEEP THE CHILD ALIVE IN ‘U’!
Enjoy the Rainbow/ Enjoy the Butterfly/ Enjoy the
Bird/
FREE the BIRD!
CIRCLE, CIRCLE, CIRCLE!
“It is
the CIRCLE that Unites Us All!”
AlieN
HEARTizen!!!!
“Only an
ALieN
can heal the world!”
And you are ONE!
Be a HEARTizen, Have a dual Citizenship!
The END!!!
To Be Continued! Maybe!!! Maybe Not!!!
Bahereh,
Walter, and Sienna Mae Proud
FOOL-Time Artists!
Dedicated to the Promotion of CREATIVITY & The
ARTS!
Bahereh Khodadoost
610)863-3362 E-Mail:
bahereh@HEARTizen.comWebsite:www.HEARTizen.com
This FUN PLAY is available for
your enjoyment!
Hairy Potters
Presents:
“Gracie Locks, Lawn Worshipers & The Three
ALieN Bears”
Written & directed
by:
Bahereh,
a Proud
FOOL-Time Artist!
Performed by Bahereh, Walter, & Sienna Mae.
Dedicated to the Promotion of
CREATIVITY & The ARTS!
Copyright Dec. 2000! Pen Argyl, PA
CLAY ART by Bahereh | CLAY ART by Walter Heath | Home Page | About the Artists | Writings
(610)863-3362
Mailing Address: 423 Mountain Ave. Pen Argyl, Pa. 18072
please send e-mail to: bahereh@HEARTizen.com